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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Great is the Lord, and greatly to be praised

Scriptures for Singing

English1335
1
Great is the Lord, and greatly to be praised,
In the city of our God,
In the mountain of His holiness.
Beautiful in elevation, the joy of the whole earth,
Is Mount Zion, on the sides of the north,
The city of the great King.
Is Mount Zion, on the sides of the north,
The city of the great King.

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Deborah Toyin Daniel

Houston, Texas, United States

Apr 6, 2025

I suddenly remembered this song today and searched for it to refresh my memory. My first time of hearing and singing it was about 52 years ago, at the Sing-Song that was mandatory for all students to attend every Sunday evening, when I was in boarding school. Indeed, GOD is great and worthy to be praised!

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Jehoshaphat

Birkenhead, Wirral, United Kingdom

Feb 9, 2025

This was a staple of youth worship-and-teaching days in the 1970s in Suffolk, U. K. I learned to play the guitar for songs such as this. Reading Psalm 48 for my devotion this morning, it sprang into my memory, partially, as soon as I read v. 1, and I just had to web search for it, to find the exact words, which then evoked the full tune. A reminder of happy days long gone and teen anguish as well!

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Margie

Maryville, Tennessee, United States

Feb 5, 2025

Someone requested the rest of the lyrics. Beautiful the way it repeats its way back to the main chorus!

Great is the Lord
And greatly to be praised
In the city of our God
In the mountain of his holiness
Beautiful for situation
The joy of the whole earth
Is Mt Zion on the sides of the north
The city of our great king.
So let's go up to Zion, let's go up to Zion
Let's go up to Zion, the city of our King
There's oil and wine in Zion, there's oil and wine in Zion.
There's oil and wine in Zion, the city of our King.
So let's go up to Zion, let's go up to Zion
Let's go up to Zion, the city of our King
Great is the Lord and greatly to be praised
In the city of our God, in the mountain of his holiness.
Beautiful for situation, the joy of the whole earth

Is Mount Zion on the sides of the north, the city of our Great king.

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Bonaventure Udumukwu

Abuja, Federal Capital Territory, Nigeria

Nov 20, 2024

I thank God for this song. It just came to me as I was preparing the kids for school. I remember singing this song in my school fellowship in the 1990s

God is indeed Great 👍

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Rosemary Jimoh-Anifowoshe

North York, Ontario, Canada

Aug 29, 2024

To God be the glory, hallelujah, Amen. Shortly before I woke up today, I was leading some women seated in round circle with this song: Great is the Lord, and greatly to be praised. ... After singing then the women will re echo the song as well. Then I woke up after singing the 2nd round, and the time was 8:04am. Thursday 29, 2024.

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Happy, Loved and Saved

Jul 21, 2024

Richard Dallas TX posted 3 March’24
Amen(let it be so) I. TIMOTHY
2 scriptures additionally:

… sing with the understanding and pray with the understanding … I. CORINTHIANS

… whatever ye do, as unto the Lord …COLOSSIANS

in love with Jesus

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Olusegun Oludare Oladimeji

Manchester, Lancashire, United Kingdom

Jun 29, 2024

Psalms 48:1-2 Sing of God's greatness.

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Brenda Taylor

Heathcote, Ontario, Canada

May 28, 2024

I was so pleased to find the lyrics to this Hymn! A friend visiting from Jamaica taught us this chorus about 40 years ago and I had forgotten about it until I was reading my Devotional and that scripture was referenced! So thankful for the Choruses and Hymns from my past!!

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James Smith

Mansfield, Ohio, United States

Mar 15, 2024

I love singing scripture. In that day there will be a New Jerusalem, the place God will rule His Kingdom. It will be a spiritual city the place God has chosen. The practicable church’s expressed on the earth today in cities should be a miniature of that heavenly city. It is wonderful to think of His ruling over the whole earth. What a wonderful city that will be.

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Richard

Dallas, Texas, United States

Mar 3, 2024

I discovered that we should enjoy the hymns by exercising our spirit to sing them with our whole being

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