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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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All things are ready, come to the feast

Gospel General

English1330
1
“All things are ready,” come to the feast!
Come for the table now is spread;
Ye famishing, ye weary, come,
And thou shalt be richly fed.
 
Hear the invitation,
Come, whosoever will;
Praise God for full salvation
For whosoever will.
2
“All things are ready,” come to the feast!
Come, for the door is open wide;
A place of honor is reserved
For you at the Master’s side.
3
“All things are ready,” come to the feast!
Come, while He waits to welcome thee;
Delay not while this day is thine,
Tomorrow may never be.
4
“All things are ready,” come to the feast!
Leave every care and worldly strife;
Come, feast upon the Christ of God
And drink everlasting life.

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David Frimpong

Church In Minneapolis, MN, United States

Jun 11, 2026

In Luke 14:16-17 Jesus spoke to one of the rulers of the Pharisees, saying, "A certain man was making a great dinner and invited many; and he sent his slave at the dinner hour to say to those who had been invited, Come, for all things are now ready." Again, I hope that we all would be able to recite the last sentence: "Come, for all things are now ready."

Ready is a precious word in the Bible. Do you want to be saved? Salvation is ready! Do you want to be victorious? Victory is ready! Do you want to be filled with the Holy Spirit? The filling of the Holy Spirit is ready! Everything on God's side is ready; God has accomplished and prepared everything. On man's side, however, there is still a need to come. Since God has prepared everything, man needs only to come and receive. God has prepared salvation for all the people in the world, but not everyone has been saved, because not everyone has come to God. The Holy Spirit has been poured out, but not everyone has received this outpouring, because not everyone has come to God.

Although all things are ready on the Lord's side, if a person is unwilling to come to God, he cannot be saved, victorious, or fervent. The burden of this chapter is more on our coming than on God making everything ready. (CWWL, 1957, Vol. 1)

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Katarina!

Temple Hills, MD, United States

Mar 7, 2025

I woke up at 3:30 am and was unsure if I should go to a short event held by some Christian friends. I thought " I am too busy. My Mom needs me, what will I wear, my hair, the transportation money.. " But I asked God what to do. And after a little while this song came to mind. I started singing " Hear The Invitation Come whosoever will. " I remembered the banquet that so many people had excuses not to come to. And I just believe that was my answer. I still haven't figured out those other things but I know that I can.

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Michelle

Wentworth, MO, United States

Jan 21, 2025

Tonight @ a Bible study in Wentworth in the book Matthew 22 The parable of the Wedding Feast, and during the day I was singing this not knowing how it would connect~so tonight at suggestion for song time —we sang it after the study! Praise God!

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Julie

Sandpoint, Idaho, United States

May 25, 2024

I woke a little while ago and this song I hadn't sung since I was child came to mind. Then a woman named Lorena in Ontario posted a prayer in the comments that echoed my heart.

Lord bring my two dear sisters, my children, family and friends to know you fully Lord God Almighty. "Delay naught while this day is thine, Tomorrow may never be..." In the strength of Your Son’s name Jesus Christ... Amen!

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Liam Precious

Delta, Nigeria

Feb 25, 2024

All things are ready.

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Cody Enderli

Anaheim, California, United States

Jun 12, 2022

Hear the invitation! Come feast upon the Christ of God! For tomorrow may never be!

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Albertinah

Gaborone, Mahalapye Tidimalo, Botswana

May 15, 2022

Dear Lord 🙏 thank You for the feast all we have to do is to come, to enjoy the ready feast

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Lulu Bondoc

Baguio City, Philippines

Aug 27, 2020

I love this song. It makes me feel good whenever I sing it. Feel na feel ko. Thank you God for your promise of eternal life.

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...

Oct 28, 2019

I remembered this song this morning

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Sue

Calgary, AB, Canada

Jan 20, 2019

Oh Lord, Thank you for the feast! Come, feast upon the everlasting life!

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