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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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My wandering days grew increasingly empty

Gospel General

English1328
1
My wandering days grew increasingly empty
As I searched for the way,
Just to fill this gap inside me—
Found my seeking vain.
Though all this dark earth would convince me
life’s worthwhile,
Inside all my mirth
Was a cry for something real.
Don’t you lie to me, world!
 
For my heart tells me different
When I hear of contentment
Deep within a lack knew better
Why not be honest, world.
2
A flood of strong doubt as I heard the old story
Of a man they called Lord;
Yet my heart ne’er ceased to wonder,
Is He really Lord?
A search in His Word found my hardened
heart softened,
And earth’s vanities faded.
In the brightness of His presence
Jesus came into me.
 
Now we’re always together
Growing into God’s fullness.
O Lord Jesus, how I love You!
You brought life into me.

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Isaac Roberts

Cincinnati, OH, United States

Jun 27, 2026

I love singing this hymn

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Joseph E Pinner

Mesa, AZ, United States

Jul 6, 2025

This song was my testimony of accepting Christ in 1973. After graduating in 1971 I spent two years hitchhiking around the U. S. until Jim picked me up and led me in prayer to Christ. Now 55 years later we are still always together. I am so glad this song has survived the many years, I thought it to be lost long ago.

Read more
Benjamin Lee

New York, NY, United States

Jan 21, 2025

In the brightness of His presence

Jesus came into me.

Now we’re always together
Growing into God’s fullness.
O Lord Jesus, how I love You!
You brought life into me.

Read more
David

Chile

Jun 5, 2022

Jn 1:17 Grace and reality came through Jesus Christ.

Oh Lord Jesus! You are the Reality!

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Blanca Mantanic

Calgary, Alberta, Canada

Apr 16, 2022

Now we’re always together
Growing into God’s fullness.
O Lord Jesus, how I love You!
You brought life into me.

Read more
Ruth Gingell

United Kingdom

Mar 1, 2020

Oh Lord Jesus how I love you!! you brought life into me.

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Maurice Ward

Columbus, Ohio, United States

Jan 11, 2020

The world can never be honest with us. The whole world is in the hands of the father of lies (1 John 5:19). But God gave us something of Him, he gave us a conscience, a human spirit. Because of this we can sense the vanity, and we can see our wandering. A brother once said, wandering days are like a long dark night in the soul. O Lord deliver us from our soul!

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William Jeng

Irvine, CA, United States

Nov 24, 2019

Thank You Lord, we are always together with You! We desire to be under Your presence all the time. You’re our life!

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Glory Jung

Anaheim, CA, United States

Nov 23, 2019

I love this song!!!

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Jeremy Tan

Huntington Beach, CA, United States

Nov 23, 2019

A search in His Word found my hardened heart softened,
And earth’s vanities faded.
In the brightness of His presence
Jesus came into me!

Read more