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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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When Noah worked upon the ark as God to

The Church As the Ark of Noah

English1268
1
When Noah worked upon the ark as God to him decreed.
So many others watched, yet to his words they gave no heed.
But Noah heard the voice of God and did His word obey;
His business was to build the ark; he couldn’t waste a day.
 
Now Jesus’ testimony, we in the churches see
The ark of testimony built in each locality.
2
The generation at that time was evil and perverse;
The wickedness upon the earth was waxing worse and worse.
But Noah stood against the age and ne’er the vision lost.
The ark of testimony must be built at any cost.
3
There were at that time many men who said they worshipped God;
They served Him and they sacrificed and yet ’twas very odd,
The very thing that God desired they mocked and ridiculed.
Their heart was set upon this age and by the devil ruled.
4
One day the ark was finished and eight souls were led aboard.
God shut the door and then the heavens opened and outpoured.
It rained, but Noah took no thought for he was safe inside.
When all the earth was flooded, he above it all did ride.
5
The ark was just God’s testimony on the earth that time.
For God had found a corporate man through whom His light could shine.
He needed something built through which He’d fully be expressed,
And now it is the local church where God is manifest.
6
Be careful lest this age would lead you from God’s heart’s desire.
For Jesus’ testimony must set all our hearts afire.
The local churches are the ark, God’s testimony true.
For this we leave the age behind and give our hearts anew.

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Pearl

Loughborough, Merseyside, United Kingdom

Jun 23, 2026

Lord, save us from worshipping You, serving You and even sacrificing for You, all according to our own desire, preference, opinion and choice.

Lord, make us those who would like Noah also hear Your voice and give heed to Your divine instructions.

We don't want to waste a day!
Set our hearts afire with
Your desire-Your building!

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Jan Cam

Guelph, ON, Canada

Feb 13, 2022

“The local churches are the ark,
God’s testimony true!
For this we leave the age behind,
and give our hearts anew! ”

We say Amen to Your Word, Lord! Have your way through us! Make us your overcomers to meet your need today! Praise your Name, O Lord Jesus!

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Rebecca

Toronto, Ontario, Canada

Nov 25, 2013

The Chinese version is available for all to enjoy by clicking on "诗歌" on the right navigation pane. Both traditional and simplified versions are there.

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Tianxin Shen

Merced, CV, United States

Apr 14, 2011

Praise the Lord for His revelation and eternal salvation! Such a wonderful song to help people enjoy Genesis to read about how Noah helped the Lord to end an age of degradation. I tried to translate all verses based on the English lyric into Chinese but did not have time to trim them short to fit the music. In case anyone who want to trim them to fit the melody, feel free! Looking forward to use the Chinese lyric to sign along soon.

------------------------------

#1268 As the Ark of Noah

1。当神给他启示,诺亚开始建造方舟,。
许多人嘲讽冷眼观看,但他们的话诺亚没理会。
但诺亚听到上帝的声音,也听神的话;
他的任务是遵照神的话建造方舟,他一天都不能浪费。

现在耶稣的见证,我们在教会都看到

方舟的见证如今落实在每个地方召会。

2。诺亚的时代是邪恶的,有害地蔓延的;
地上罪恶猖狂势力每况愈下。
但诺亚为了反对当时的邪恶勇敢站立,不曾失去心中的愿景--
方舟的见证必须实现,不惜成本代价。

3。还有很多人都说,他们崇拜神;
他们奉献,牺牲,但很奇怪,
神心愿揭示的事,他们却嘲讽,奚落。
殊不知他们的心思是被当时当世所迷所捆绑,受撒旦的统治的。

4。有一天,方舟完成了,八个人被带到船上。
神关上了方舟之门,然后天开了,暴雨哗哗临降。
雨下了,诺亚却毫不受影响,因为他安全的在神的怀里─方舟之中。
当地面全被水淹没,独独诺亚一家身处洪乱,却安然临驾于洪荒之上。

5。方舟的事件,见证了神当时在全地的权柄。
因神已找到了他的“团体人”来彰显他的光/荣耀。
他需要这样的团体人,借 “他”来充分彰显他的大能,
如今在地方上的每一个召会,就是这个团体 “神-人” 的彰显。

6。小心啊,远离这个世代风气与陋习,免得堕落远离了神。
耶稣救赎的见证必叫我们心中灵里火热。
地方召会是今天的方舟,神的见证真实无误。
我们要勇于识破眼前这世代的扑朔迷离,将心思置于神,与神同行,与神同工,天天接受更新变化。

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