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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Our old man has been crucified with Christ

Union with Christ Identified with His Death and Resurrection

English1140
1
Our old man has been crucified with Christ;
Yes, all we are in oldness He sufficed
To bring to naught upon the cross that He
Himself as our new Husband fully be
Enjoyed by us.
2
Yes, all our strength of independence died,
For we with Christ were fully crucified.
Now we’re so glad to be His proper wife,
Dependently enjoying Him as life
Forevermore.
3
Our dying was not such a sad affair,
The new man was rejoicing to be there;
The old man dead and buried, we were free
To marry Christ, and live eternally,
His wife, fore’er.
4
Now as the new, regenerated man,
We do two things, according to God’s plan:
Bear fruit to God and serve in spirit new
So God becomes the fruit of all we do,
And all we are.
5
There are three laws in Romans seven, see—
The law of God; the mind, the good old me;
The sinful law indwelling bodily;
Yet from these all the Lord has set us free,
To live by Him.
6
In Romans eight the law of Spirit is,
Where we’re in Christ, and we are fully His,
The law of life has set us wholly free
And Christ becomes our life eternally,
Hallelujah!

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Maria L

Fremont, California, United States

Aug 12, 2025

Praise the Lord! May the Lord shine on us and cause us to see that we have been freed from the old man with his law, and we have been joined to Christ as our new Husband to love Him, live one with Him, and depend on Him! Hallelujah 😀

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Ethan

Jul 18, 2021

Amen! Oh Lord Jesus!

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Jordan

United States

May 10, 2019

Our dying was not such a sad affair... You betchya. I see the vanity of trying to be good and the darkness of thinking that will save you. Oh Jesus!! Save us all. Without Christ.. . Oh Lord Jesus! I’ll say Jesus salvation, this is our great reward. Christ will afford His salvation through steadfast deification.

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Caleb Don Crigger

United States

Sep 13, 2010

The wonderful place of being dead to ALL. New life
is my everlasting JOY. HE LIVES IN ME.
FREE FREE of myself and HE IS ALL and ALL to me.

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crizalde m. las

Philippines, Manila

Nov 1, 2008

Romans chapter 6 says, shall we continue in sin that grace may abound? certainly not, how shall we who died to sin, live any longer in it. Or do you not know, that he who dies in Christ, crucified with him. Therefore we were buried with him, through the baptism of dead. And as Christ was risen from the dead by the glory of the Father, we also shall walk in the newness of life. For our old man was crucified with him, that the body of sin may be done away with, that we should no longer slaves of sin. For he who die, has been freed from sin. And if we died in Christ, we believe we also shall live with him. Knowing that Christ having been raised from the dead, dies no more, death no longer has dominion over him. For the death the he dies, he dies to sin, and the life that he lives, he lives to God. Amen, Amen, Amen.

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