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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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There’s a Stranger at the door

Gospel Persuasion

English1039
1
There’s a Stranger at the door,
Let Him in;
He has been there oft before,
Let Him in;
Let Him in, ere He is gone,
Let Him in, the Holy One,
Jesus Christ, the Father’s Son,
Let Him in.
2
Open now to Him your heart,
Let Him in;
If you wait He will depart,
Let Him in;
Let Him in, He is your Friend,
He your soul will sure defend,
He will keep you to the end,
Let Him in.
3
Hear you now His loving voice?
Let Him in;
Now, oh, now make Him your choice,
Let Him in;
He is standing at your door,
Joy to you He will restore,
And His name you will adore,
Let Him in.
4
Now admit the heav’nly Guest,
Let Him in;
He will make for you a feast,
Let Him in;
He will speak your sins forgiv’n.
And when earth ties all are riv’n,
Comfort, rest, you will be giv’n,
Let Him in.

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Henry Solomon

Surulere, Lagos, Nigeria

Jul 17, 2024

This song give me new hope of Joy Restoration, which I've lost thru entanglement with sin.

... I praise God I find myself back to the Lord Jesus because of His Mercy that sai6no, not to let me go.... I praise Him, His name forever. Halleluyah!!

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Lady Ambaks

Port Harcourt, Nigeria

Dec 24, 2023

I woke up this morning with this song on my lips. I believe it's for a purpose , I pray for the purpose to be fulfilled in my life that I should open the door of my heart to let Him in for His miraculous plans actualized 🙏 Amen.

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Zadie

Houston, Texas, United States

Dec 3, 2022

What wondrous words! Our Dad used to sing this for family worship when we were small... Cherished memories. Love it 😀 as much today.

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Racheal

Kampala, Uganda

Jul 10, 2021

very nice song

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Grace

Lagos, Nigeria

Nov 1, 2019

We used to sing this song in my church before sermon and also during evangelism in the Anglican church. My sister started to sing this song this night and I joined.

I'm lifted in the spirit and my soul is revived. If only we can go back to thymns during worship.

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Joy

Lagos, Nigeria

Jan 31, 2018

Just woke up this morning with the tune of this song on my lips, so I have to start searching out for the full lyrics.

I heard this song from oldies of the Anglican stock.

I am revived this morning as I sing it with tears of emotion in my heart.

Dear Lord Jesus, come into my heart afresh, to never depart.

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Anonymous

Jul 15, 2017

"touching"

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Gregory L Barrett

East Orange, New Jersey, United States

May 23, 2015

Praise Jesus Christ for the gifts of the Holy Spirit and for The Church of Christ.

....

I am the minister of music because of what Jesus did at the cross.

God bless!

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Christiana Orok

Nigeria

Mar 5, 2014

My favorite song. I learnt it in secondary school.

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Jemimah Samuel

Nigeria

Jan 25, 2014

Lord please come into my heart and stay without You I am nothing.

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