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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

創世之前神已豫定

裡面生命的各方面 兒子的名分

Chinese538
1
創世之前神已豫定
兒子名分歸我享,
藉著祂靈將我模成
祂那兒子的形像;
好使祂的獨生愛子,
在眾子中作長子,
藉祂兒子和其弟兄,
滿得彰顯祂榮姿。
2
藉著靈中神聖重生,
我們得作神眾子;
但是我們必須成熟,
纔能作神的後嗣。
藉著完全長大成人,
兒子名分我得享;
藉著長成豐滿身量,
後嗣福分我飽嘗。
3
我們的靈、魂與身體,
都需模成主形狀;
這要完滿完成於我,
當我進入祂榮光。
藉著身體得蒙救贖,
兒子名分得成全;
藉著最終一步變化,
就能滿足神心願。
4
藉那最終一步變化,
我們完全被聖別;
神將我們帶進榮耀,
像祂兒子無虧缺。
造物都在切望等候
神的眾子顯出來;
牠們得進『榮耀』自由,
脫離轄制與敗壞。

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