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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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哦主耶稣我的心向

赞美主 祂的配得

Chinese148
1
哦主耶稣,我的心向着宝座,
何等喜乐,向你献上赞美!
因着蒙福,我敬拜,我也述说,
承认你配,惟有你真是配。
 
主,你真是配!主,你真是配!
赞美,因为惟有你真是配!
因着蒙福,我敬拜,我也述说
你的荣耀,因为你真是配。
2
你这神人,是真神,又是真人,
低于天使,为我们作牺牲;
女人后裔,曾如何亲临嚣尘,
败坏古蛇,伤其头,踏其身!
3
创造的主,竟然被受造的人
钉十字架,你是如何降卑!
你不自救,被神弃又被人恨!
你不退缩,经黑暗,喝苦杯!
4
接战死亡,你如何退其狂澜,
荣耀得胜,全得胜,大得胜!
思念及此,怎能不歌颂弥漫!
阴府的门,到如今全溃崩。

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蔡弟兄&張姊妹

Taiwan

Jun 28, 2026

接戰死亡,你如何退其狂瀾,
榮耀得勝,全得勝,大得勝!
思念及此,怎能不歌頌彌漫!
陰府的門,到如今全潰崩。
我們不再受死亡權勢的籠罩與轄制!哈利路亞!讚美主的榮耀得勝,全得勝,大得勝!

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以斯帖

Bintulu, Sarawak, Malaysia

Jun 14, 2026

哦主耶稣,唯有祢真是配!

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Changzhiwah

Tawau, Sabah, Malaysia

Mar 1, 2026

O Lord Jesus l love you

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Tomoki

Fukuoka, Japan

Dec 14, 2025

主イエスよ、私の心は御座に向けられています。
あなたに賛美を捧げられることは、なんと喜びなことでしょう。
祝福あれ。私は礼拝し、宣言します。
あなたは価値あるお方です。あなただけが真に価値あるお方だからです。
主よ、あなたは真に価値あるお方です。主よ、あなたは真に価値あるお方です。
賛美あれ。あなただけが真に価値あるお方だからです。
祝福あれ。私は礼拝し、宣言します。
あなたの栄光。あなたは真に価値あるお方だからです。
アーメン

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Miao

Tainan, Taiwan

Feb 25, 2024

主呀 唯有你真是配!

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Kiew Soon Lee

Sibu, Sarawak, Malaysia

Aug 6, 2023

哦主耶稣,我的心向着宝座,
何等喜乐,向你献上赞美!
因着蒙福,我敬拜,我也述说,
承认你配,惟有你真是配。

Read more
赵弟兄

东京, Japan

Apr 24, 2022

感谢赞美主,你是真正配得荣耀的万能的主,你是生命的创始者,也是成终者,万物都因你而起,感谢赞美你,愿一切荣耀都归于你

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Maggie Yuan

CA, United States

Aug 9, 2020

哦主耶穌,我的心向著寶座,
何等喜樂,向你獻上讚美!
因著蒙福,我敬拜,我也述說,
承認你配,惟有你真是配。

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Paul Lin

Taipei, Taiwan

Jun 21, 2020

『我立刻就在靈裏;看哪,有一個寶座安置在天上,又有一位坐在寶座上。』啟四2
『那位坐著的,顯出來的樣子好像碧玉和紅寶石,又有虹圍著寶座,顯出來的樣子好像綠寶石。』啟四3
『寶座的周圍,又有二十四個寶座,其上坐著二十四位長老,身穿白衣,頭戴金冠。』啟四4
『寶座前好像一個玻璃海,如同水晶;寶座中、和寶座周圍有四個活物,前後滿了眼睛。』啟四6
『我們的主,我們的神,你是配得榮耀、尊貴、能力的,因為你創造了萬有,並且萬有是因你的旨意存在並被創造的。』啟四11

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Maggie Hsu

Richardson, TX, United States

Jan 12, 2020

主,你真是配!主,你真是配!
讚美,因為惟有你真是配!
因著蒙福,我敬拜,我也述說
你的榮耀,因為你真是配。

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