诗歌： Hark! ten thousand voices crying

Hark! ten thousand voices crying,
"Lamb of God!" with one accord;
Thousand thousand saints replying,
Wake at once the echo'ng chord.

"Praise the Lamb!" the chorus waking,
All in heav'n together throng;
Loud and far each tongue partaking
Rolls around the endless song.

Grateful incense this, ascending
Ever to the Father's throne;
Every knee to Jesus bending,
All the mind in heav'n is one.

All the Father's counsels claiming
Equal honors to the Son,
All the Son's effulgence beaming,
Makes the Father's glory known.

By the Spirit all pervading,
Hosts unnumbered round the Lamb,
Crowned with light and joy unfading,
Hail Him as the great "I AM."

Joyful now the new creation
Rests in undisturbed repose,
Blest in Jesus' full salvation,
Sorrow now nor thraldom knows.

Hark! the heavenly notes again!
Loudly swells the song of praise;
Through creation's vault, Amen!
Amen! responsive joy doth raise.

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二月 8 2026

Getsiyal

Chennai, Tamil Nadu, India

Amen Lamb of God with one accord!!

七月 16 2025

Un Hermano

Isaac Typifying Christ

Isaac typified Christ. We have seen that Abraham answered God’s call to go to Mount Moriah to offer Isaac. This is history. However, if we view this matter from the perspective of God’s revelation, we shall see that what Abraham did to Isaac is a vivid picture of what the Father did to His beloved Son. When Abraham journeyed to Mount Moriah with Isaac, two young servants accompanied him. On the third day, Abraham put the two servants aside, saying, “I and the lad will go yonder and worship, and come again to you” (v. 5). From that point on, the story was different. It was no longer a story of four people—the father, the son, and the two servants; it was now a story of Abraham and his son Isaac. Abraham took the wood for the burnt offering and laid it upon Isaac, who bore it to the top of Mount Moriah. Compare this with John 19:17, which says, “And bearing the cross Himself, He went out to the place called the Place of a Skull, which is called in Hebrew, Golgotha. ” Isaac walked the same path on the way to Mount Moriah that the Lord Jesus later walked on the way to Golgotha. Before Christ bore the cross and walked to Calvary, Golgotha, Isaac bore the wood for the burnt offering and walked along the same way. And Jesus was crucified on the same mount where Isaac was laid on the altar. Thus, we see that Abraham was a type of the Father, and Isaac, with the wood upon him, was a type of the Only Begotten Son of God. Isaac was brought as a lamb to the altar. Jesus was also “brought as a lamb to the slaughter” (Isa. 53:7).

Isaac Replaced by a Ram

Isaac was replaced by a ram, that is, by a lamb. Verse 13 says, “Abraham lifted up his eyes, and looked, and behold behind him a ram caught in a thicket by his horns: and Abraham went and took the ram, and offered him up for a burnt offering in the stead of his son. ” Here we see that the son was not killed, but the ram, the lamb, was. Who was killed on the cross—the Son of God or the Lamb of God? It was the Lamb of God who was killed. Christ is the Son of God, but when He was killed on the cross, He was replaced by the Lamb of God. John 1:14, speaking of the Son of God, says, “We beheld His glory, glory as of an only begotten from a father. ” But John 1:29 says, “Behold, the Lamb of God who takes away the sin of the world! ” Here we see that the Son of God was replaced by the Lamb of God. The Lamb of God, not the Son of God, was crucified. In crucifixion, the Son was replaced by a ram.

Life-study of Genesis

Message 58 (LSM)

五月 26 2024

Sanjay Maisi

Delhi, India

Praise the Lamb! ” the chorus waking,

All in heav’n together throng;

Loud and far each tongue partaking

Rolls around the endless song. Amen, Hallelujah.

四月 12 2022

Ana Lara

Storrs, Connecticut, United States

This hymn was written by John Nelson Darby. Originally there were 13 stanzas. In 1881, when he worked on this hymn with Mr. Wigram, he deleted several stanzas. Now there are only seven stanzas.

Apparently this hymn is speaking to man. Actually it is directed towards God. In singing it, we feel as if we are being lifted up to the universal stage in Revelation 4 and 5, the scene after the Lord‘s ascension. Here we find Golgotha, resurrection and ascension. The heaven is filled with glory, and at the name of Jesus, 10, 000 voices begin their praise, and 10, 000 knees bow to worship. In the heavens, on earth, and under the earth, praises ring from all directions. The whole universe is singing praises to Him. Such grandeur and majesty are unmatched by any other song! A person with lesser capacity would not have been able to write such a hymn.

A History of the Lord’s Recovery in the Twentieth Century- Lesson 65

III Examples of Hymns.

九月 15 2020

Joseph

Bengaluru, Karnataka, India

Jesus Christ is Lord 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

六月 9 2020

Medea

Tbilisi, Georgia

Once the Lamb of God is lifted up, there is the universal response. On the one side is the sound of praise, and on the other side is the sound of response. Ten thousand voices shout, "Worthy is the Lamb who has been slain to receive the power and riches and wisdom and strength and honor and glory and blessing" (Rev. 5:12). Even before this sound dies out, thousands and thousands of voices join in. "And every creature which is in heaven and on the earth and under the earth and on the sea and all things in them" (Rev. 5:13) respond together. What is the result? "Wake at once the echo'ng chord." This sound blasts forth in unparalleled magnificence. Anyone who touches this stanza will immediately be struck by his own smallness. The very first stanza raptures him to a grand and majestic scene where ten thousand voices are crying and thousands and thousands of saints are echoing. The sound rolls majestically and endlessly to an exaltation of the Lamb of God in one accord. The very opening gives a sense of awe, of the greatness of the universal praise.

六月 8 2020

The whole universe is singing praises to Him. Such grandeur and majesty are unmatched by any other song! A person with lesser capacity would not have been able to write such a hymn.

五月 14 2020

Sonny Seria

Regina, SK, Canada

Stanza 1

Hark! ten thousand voices crying,

“Lamb of God! ” With one accord;

Thousand thousand saints replying,

Wake at once the echo’ng chord.

Rev 5:11 - And I saw, and I heard the voice of many angels around the throne and of the living creatures and of the elders, and their number was ten thousands of ten thousands and thousands of thousands,

Rev 5:12 - Saying with a loud voice, Worthy is the Lamb who has been slain to receive the power and riches and wisdom and strength and honor and glory and blessing.

Worthy is the Lamb - the Lion of the tribe of Judah, the Root of David

十二月 8 2019

Glory Jung

Anaheim, CA, United States

Responsive joy!!!

十月 15 2019

Pedro Menéndez

Bayamon, P.R., United States

Apparently this hymn is speaking to man. Actually it is directed toward God. In singing it, we feel as if we are being lifted up to the universal stage in Revelation 4 and 5, the scene after the Lord's ascension. Here we find Golgotha, resurrection, and ascension. The heaven is filled with glory, and at the name of Jesus, ten thousand voices begin their praise, and ten thousand knees bow to worship. In the heavens, on earth, and under the earth, praises ring from all directions. The whole universe is singing praises to Him. Such grandeur and majesty are unmatched by any other song! A person with lesser capacity would not have been able to write such a hymn.

This hymn shows us a redeemed universe, the scene depicted in Revelation 4 and 5, and Philippians 2. This is the praise in eternity.

From: Collected Works of Watchman Nee, The (Set 3) Vol. 48:

It is rare for us to come across a hymn as great as this one. This hymn was written by J. N. Darby. Originally there were thirteen stanzas. In 1881, when he worked on this hymn with Mr. Wigram, he deleted several stanzas. Now there are only seven stanzas.

Apparently this hymn is speaking to man. Actually it is directed toward God. In singing it, we feel as if we are being lifted up to the universal stage in Revelation 4 and 5, the scene after the Lord's ascension. Here we find Golgotha, resurrection, and ascension. The heaven is filled with glory, and at the name of Jesus, ten thousand voices begin their praise, and ten thousand knees bow to worship. In the heavens, on earth, and under the earth, praises ring from all directions. The whole universe is singing praises to Him. Such grandeur and majesty are unmatched by any other song! A person with lesser capacity would not have been able to write such a hymn.

"Hark! ten thousand voices crying." These ten thousand voices came out of nowhere! It is as if a trifling believer, a little worm, a small man, is shouting at the top of his voice, "Hark! ten thousand voices are crying, 'Lamb of God!' with one accord. Listen, thousands and thousands of saints are replying." Once the Lamb of God is lifted up, there is the universal response. On the one side is the sound of praise, and on the other side is the sound of response. Ten thousand voices shout, "Worthy is the Lamb who has been slain to receive the power and riches and wisdom and strength and honor and glory and blessing" (Rev. 5:12). Even before this sound dies out, thousands and thousands of voices join in. "And every creature which is in heaven and on the earth and under the earth and on the sea and all things in them" (Rev. 5:13) respond together. What is the result? "Wake at once the echo'ng chord." This sound blasts forth in unparalleled magnificence. Anyone who touches this stanza will immediately be struck by his own smallness. The very first stanza raptures him to a grand and majestic scene where ten thousand voices are crying and thousands and thousands of saints are echoing. The sound rolls majestically and endlessly to an exaltation of the Lamb of God in one accord. The very opening gives a sense of awe, of the greatness of the universal praise.

Every subsequent stanza closely follows the preceding one. "Praise the Lamb! the chorus waking." We hear the cry, "Praise the Lamb," from all directions. All of them resound, "Praise the Lamb!" It is "praise the Lamb" here and "praise the Lamb" there and everywhere. These voices come from all directions. "All in heav'n together throng." All in heaven means the whole heaven. All things there throng together to sing praises. "Loud and far each tongue partaking"—every mouth is confessing. Spontaneously this brings out Philippians 2:11: "And every tongue should openly confess that Jesus Christ is Lord." Every mouth is confessing; this is why it is "loud and far." Such endless song rolls around the whole universe. The whole universe is overflowing with this "endless song."

There are not only voices but also "grateful incense...ascending." This grateful incense is ascending "ever to the Father's throne." Not only are mouths crying, but also grateful hearts are ever ascending toward God. Not only are we crying to the Lamb with our mouths, but also our hearts are ascending to God. It is as if God's plan and the Lord's redemption have become one inseparable entity. We praise the Lamb, and we also thank God the Father. Such gratitude in praise and thanksgiving ascends to God like incense.

This praise does not stop here. The mouths are crying and shouting, but this is not all, because every knee has to bow and worship. Every knee must bow and worship the Lord. First there is "each tongue," and then there is "every knee." Spontaneously every knee bends to Jesus. On the one hand, we have thanksgiving to the Father. On the other hand, we have prostrating before the Lord. The next line is very poetic: "All the mind in heav'n is one." This is not preaching. Those with less sensitive feelings cannot touch anything here. But when a person is brought to the stage where he sees the object of every tongue's praise and every knee's worship, spontaneously he will proclaim, "How one is all the mind in heaven!" The words all...is one are very poetic.

Once the writer of the hymn touches the Father and the Son, he brings out the doctrine of the Son and the doctrine of the Father. Everything is now revealed. "All the Son's effulgence beaming,/Makes the Father's glory known." Glory is inward while effulgence is outward. What the Father has is glory. This glory of the Father becomes the effulgence in the Son. The Son's effulgence is the expression of the Father's glory. With the Father there is the glory; with the Son there is the expression of this glory. The expression is not with the Father but with the Son. "All the Father's counsels." Counsel is inward, and these counsels are "claiming equal honors to the Son." This is not the Father's act, but the Father's counsels; it is not the Father's work, but the Father's plan. He wants to reveal to man that the Son is of equal honor. The third stanza turns from the Father to the Son. The fourth stanza turns from the Son to the Father and then from the Father back to the Son; it begins with the Son and ends with the Son. In the third stanza the writer begins to touch the Son, and in the fourth stanza the Son is touched again. Here we see the doctrine concerning the Father and the Son.

Anyone who touches the Father and the Son cannot stop with the Father and the Son only. And so it continues, "By the Spirit all pervading..." The Spirit comes into play. Once the Spirit appears, the scene is turned from the Son and the Father. The Spirit is all-pervading, all-permeating, and all-inclusive. The universe is filled with the Holy Spirit.

"Hosts unnumbered...hail Him." Hosts here is a poetic expression. The heavenly angels, heavenly creatures, and unnumbered heavenly beings all hail Him. "Hail Him as the great 'I AM.'" The great 'I AM' is Jehovah (cf. Exo. 3:14; 6:2). This is truly a hymn of praise, a grand hymn of praise!

Now we have to turn to the things around us: "Joyful now the new creation/Rests in undisturbed repose." The surrounding scene is full of joy, rest, peace, and repose. Everyone is joyful, restful, undisturbed, and in repose. This is because everyone is "blest in Jesus' full salvation" and "sorrow now nor thraldom knows." All the problems have passed away.

Unconsciously, we might have tarried for too long, and so "Hark! the heavenly notes again!" Can you hear it? "Loudly swells the song of praise." The sound of praise resounds from all directions again. There is still more to hear: "Through creation's vault, Amen!" The whole universe is full of praises and amens. Every corner is crying, "Amen." Why? "Amen! responsive joy doth raise." The last amen is most poetic. It is not the amen one says after a song, but an amen that is raised in "responsive joy."

This hymn shows us a redeemed universe, the scene depicted in Revelation 4 and 5, and Philippians 2. This is the praise in eternity.

The Collected Works of Watchman Nee, Set 3, Vol. 48, Lesson 15 (水流职事站)

Hark! ten thousand voices crying

Hark! ten thousand voices crying

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