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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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When thou wakest in the morning

Prayer Telling the Lord

New Tunes788
1
When thou wakest in the morning
Ere thou tread’st the untried way
Of the lot that lies before thee
Through the coming busy day;
Whether sunbeams promise brightness,
Whether dim forebodings fall,
Be thy dawning glad or gloomy,
Go to Jesus, tell Him all.
2
In the calm of sweet communion
Let thy daily work be done;
In the peace of soul-outpouring
Care be banished, patience won;
And if earth with its enchantments
Seek thy spirit to enthrall,
Ere thou listen, ere thou answer,
Turn to Jesus, tell Him all.
3
Then, as hour by hour glides by thee,
Thou wilt blessed guidance know,
Thine own burdens being lightened,
Thou canst bear another’s woe;
Thou canst help the weak ones onward,
Thou canst raise up those that fall:
But remember, while thou servest,
Still tell Jesus, tell Him all.
4
And if weariness creeps o’er thee
As the day wears to its close,
Or if sudden fierce temptation
Bring thee face to face with foes;
In thy weakness, in thy peril,
Raise to heaven a truthful call;
Strength and calm for every crisis
Come, in telling Jesus all.

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Alan Lee

San Jose, CA, United States

Dec 9, 2021

i remember appreciating this hymn for the first time back in college. Ever since then, I have not practiced enough this secret of "go to Jesus, tell Him all"

My realization now is we never graduate from going to Jesus and telling Him all. Telling Jesus is how we have sweet communion, how we have strength and calm, how we can bear another's woes, how we can withstand the enemy. "Still tell Jesus, tell Him all"

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Steve Miller

Detroit, Michigan, United States

Sep 19, 2021

This song is spot on for our overly busy lives today.

I woke up this week with this song in my heart, so I called it, and we sang it in church today.

I prefer this original tune over the new tune for this song. The new tune is lively, but not as fitting for this song. The original tune gives you time to think about the message of the song and not be in a rush.

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Anonymous

United States

Sep 29, 2020

Amen! Lord, in everything we come to You and tell You all!

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Cosette

Gainesville, FL, United States

Jun 10, 2020

No matter what, we need to go to Jesus! Whether everything is going good or bad, Jesus needs to be involved. Lord, cause us to come to You each day and seek Your face!

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Nelson Liu

Irvine, CA, United States

Feb 2, 2018

Go! Turn! Still! Come! Tell Him all!

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Gabby and Lisa

Los Angeles, California, United States

Feb 12, 2016

We just simply cast all our burdens on the Lord - He cares! Just spend time to tell Him all.

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Christi

Chattanooga, TN, United States

Oct 20, 2012

The Lord loves us so much. He really is with us no matter what we go thru-daily needs to crisis. We can tell Him all! He knows us and wants us to have such an intimate and personal relationship with Him no matter what time of day or night it is or what we may be going through. Praise our wonderful Lord Jesus for being so sweet!

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P Watson

Lake Forest, CA, United States

Apr 23, 2010

Amen! Talking to Jesus, like a friend, rather than appealing to Him like a God far away from us, is the best way to cultivate an intimate, personal relationship with Him. This is what God wants, to speak "face to face" like He did with Moses.

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