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關於簡譜

簡譜(Numbered Notation)以 1 到 7 的數字來表示旋律中的每個音,而不是用五線譜上的音符。數字代表這個音在該曲調音階中的級數,而非絕對音高,所以無論用什麼調演唱,同一首曲子的簡譜寫法都一樣。

同一個八度內,數字 1 2 3 4 5 6 7 對應大家熟悉的唱名 Do Re Mi Fa Sol La Ti。數字上方加一點,表示高八度;下方加一點,表示低八度──不加點則是原本書寫的中央八度。

單獨一個數字代表一拍。數字後面緊接一條短橫線(-),表示這個音延長一拍。數字下方加一條底線則相反,表示縮短時值──一條底線是半拍,兩條底線是四分之一拍。「0」代表休止符,也就是停頓一拍。

譜面最上方的標示,例如「1=C」或「1=Ab」,說明級數 1(「Do」)對應的實際音高。小調樂曲則標示「6=X」──級數 6(「La」)才是真正的主音。音符上方的和絃名稱(如「C」或「G7」)一律使用熟悉的字母名稱,不會改成數字。

例如在「1=C」的標示下,數字 1 2 3 4 5 6 7 唱出來是 C D E F G A B;在「1=G」的標示下,同樣的數字 1 2 3 4 5 6 7 卻唱出 G A B C D E F#──形狀相同,調性不同。

Blest Father of glory, we worship

Worship of the Father His Predestination

English35
1
Blest Father of glory, we worship:
Thy greatness surpasses our praise;
We bless Thee Thy Spirit within us
Gives pow’r to these heavenly lays.
2
We think of the Man in Thy presence,
Set down there, exalted as Head;
Once raised by the might of Thy power,
When numbered along with the dead.
3
We think of the glory that chose us,
’Twas Thine, blessed Father, the Source;
The glory of love that redeemed us
Through Jesus, the Man of Thy choice.
4
As marked out beforehand for sonship,
We praise now the glory of grace
And bow in Thy presence and worship,
As conscious, in Christ, of our place.

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Un Hermano

八月 3, 2025

A SPIRIT OF WISDOM AND REVELATION IN THE FULL KNOWLEDGE OF GOD

The God of Our Lord Jesus Christ, the Father of Glory

At the beginning of Paul’s prayer in chapter 1 , he prayed “that the God of our Lord Jesus Christ, the Father of glory, may give to you a spirit of wisdom and revelation in the full knowledge of Him” ( v. 17 ). Here Paul addressed his prayer not only to God but to “the God of our Lord Jesus Christ, the Father of glory. ” We can consider the God of our Lord Jesus Christ, the Father of glory as one title with two aspects. This title is very profound and weighty. If we would know the church as the Body of Christ, we need to know God according to this divine title. If we do not know such a God, it will be rather difficult for us to know the Body of Christ, for this divine title has very much to do with the Body of Christ.

Prayer in Ephesians

Chapter 1 (LSM)

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Un Hermano

八月 3, 2025

The Hope of God’s Calling

The first part of verse 17 says, “That the God of our Lord Jesus Christ, the Father of glory. ” This follows the previous verses, which show that God has a dual status, being both God and the Father. This also indicates that Paul prayed in this dual relationship between God and His creatures and between the Father and His children. The One to whom we pray has this dual relationship with us. On the one hand, He is the God of the Lord Jesus Christ. The Lord Jesus lived as a man on the earth, and God was His God. This also indicates that God was mingled with man. God is not merely the One who created all things but also the incarnated God, the God who has been mingled with the creature ( John 1:1-3 , 14 ). On the other hand, He is the Father of glory. Glory refers to God expressed. God’s glory is His expression through His many sons.

Revelations in Ephesians: Seeing the Blessings and Position of the Church in Christ CWWL, 1953, vol. 2

Chapter 6 (LSM)

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Ana Lara

Storrs, Connecticut, United States

二月 12, 2022

Edward Arthur is a pseudonym for David Evans. (hymnary. org)

David Evans (b. Resolven, Glamorganshire February 6, 1874; d. May 17, 1948, Rhosllannerchrugog, Wales) was an important leader in Welch Church music.

Evans was a Welsh musician, scholar and composer. He worked the coal industry as a teenager but music was his primary interest. He won a music scholarship and became a pupil of Joseph Parry—a Welsh composer and musician and the first one to receive a Bachelor and Doctor’s degree in music from the University of Cambridge.

Evans entered the University of Wales Cardiff, in 1895. He went on to become an organist and choirmaster of Jewin Street Welsh Presbyterian Church, in London. He succeeded Joseph Perry, his former teacher in the music Department of Cadiff where he was appointed a professor in 1908. He was also the music editor of “The Church Hymnary, ” 1927.

Evans conducted the well-known Welsh singing festival (Cymafa Ganu) originated by John Roberts.

John Roberts was a teacher, editor, minister, journalist, lecturer, poet, composer, and conductor, traveling all over South Wales. In 1859 he set up a coral union in Aberdare, the center South Wales coal field. He was an imaginative teacher and created methods of improving Welsh choral singing. He was also an accomplished musician, conducting music festivals and service as judge at the National Eisteddfod—a competitive festival of music and poetry. Like many others Roberts was also a fervent Nonconformist from whom singing was an expression of a pure and Godly way of life.

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YR

十一月 17, 2021

As marked out beforehand for sonship,

We praise now the glory of grace

And bow in Thy presence and worship,

As conscious, in Christ, of our place.

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Sister Ma

Beijing

五月 26, 2019

We think of the glory that chose us,

’Twas Thine, blessed Father, the Source; The glory of love that redeemed us! Through Jesus, the Man of Thy choice.

感谢主的拣选!

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Ernest Hogan

Grangemouth, United Kingdom

十一月 2, 2010

Note that the Lyrics are designated as 'Unknown'. In fact, they were written by a Mr BM Deck, published in Hymns and Spiritual Songs for the Little Flock, 1962.

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