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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Music tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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The law of the Lord is perfect

Scriptures for Singing

New Songs281
1
The law of the Lord is perfect,
Converting the soul;
The testimony of the Lord is sure,
Making wise the simple.
 
More to be desired are they than gold.
Yea, than much fine gold:
Sweeter also than honey
And the honeycomb.
2
The statutes of the Lord are right,
Rejoicing the heart:
The commandment of the Lord is pure,
Enlightening the eyes.
3
The fear of the Lord is clean,
Enduring forever;
The judgments of the Lord are true
And righteous altogether.
4
Let the words of my mouth
And the meditation of my heart,
Be acceptable in Thy sight, O Lord,
My strength, and my redeemer.
 
Moreover by them is Thy servant warned:
Is Thy servant warned:
And in keeping of them there is
Great reward.

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Julian Toon

Nelson, New Zealand

Sep 4, 2025

One of my favourite psalms
Have sung for many years
The Lord is the attractive one
Enduring forever

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Narretta

Northampton, Northamptonshire, United Kingdom

Feb 20, 2025

Lovely song! Came into my heart as I was reading Psalm 19:9-11

The Judgements of the Law are truly wonderful. His mercy is his judgement and his judgement is his mercy.

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Divahny🎀 Vieira

Boston, Brockton, United States

Feb 17, 2024

The song is a amazing this song gives me joy every day 💕🙏🏾

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Hanan

Auckland, New Zealand

Jan 12, 2024

In Psalm 19 David highly esteemed the law. Today we need to highly esteem Christ who is the reality of the law as the testimony of God.

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Helaena

Masbate, Philippines

Dec 4, 2023

The law of the Lord is perfect for my song for my chrismas party. Thank you for sharing it!

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Anonymous

Dec 31, 2021

Glory to God

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Martina Ehinger

Berlin, Germany

Oct 18, 2021

I am German and I learned this song when I was 19. Now I am 63, and I am still blessed when I am singing it!

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Nancy Rutledge

Fairfield, TX, United States

Mar 22, 2021

This song brings delight to my heart. It brings me back to the days when I had my children in school at Bible Baptist Church, and I volunteered there. There was so much singing and joy! I still have singing and joy, and many grandchildren. Thank you so much!

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Winnell

Texas, United States

Jan 27, 2021

We sang this song at the Baptist Student Union in college in the early 70’s! It runs through my mind every time I read Psalm 18. I surely would love to know who composed the music and when.

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Worship Man

Utah, Salt Lake City, United States

Dec 6, 2020

Wow! Great song and beautiful! I’m the latest comment by 2 years also! Thank God!

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