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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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How vast, immense, and measureless

Consecration Constrained by the Lord’s Love

English8330
1
How vast, immense, and measureless
The love of Christ to me!
How else could such a wretch as I
Be blessed so graciously?
2
To bring me back unto Himself,
My Lord His all did spend;
So I would gladly bear the cross
And follow to the end.
3
My all I have forsaken now,
This blessed Christ to gain;
Now life or death is no concern—
What else can me restrain?
4
My dear ones, wealth ambition, fame—
What can they offer me?
My gracious Lord for me was poor;
For Him I poor would be.
5
My precious Savior now I love,
Him only would I please.
For Him all gain a loss becomes,
And comfort holds no ease.
6
Thou art my comfort, gracious Lord!
I’ve none in heav’n but Thee.
And who but Thee is there on earth
With whom I love to be?
7
Though loneliness and trials come,
My griefs I’d rise above.
This only would I ask Thee, Lord:
Surround me with Thy love!
8
O gracious Lord, I now beseech,
Guide me through every stage;
Stand by and strengthen me to go
Through this dark, evil age.
9
The world, the flesh, and Satan too,
Do tempt my soul apace;
Without Thy love and strength’ning power
I may Thy name disgrace.
10
The time, dear Lord, is running short;
From earth my soul set free.
When Thou dost come, I’ll sing with joy,
Hallelujah to Thee!

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Benjamin

New Delhi, Delhi, India

Feb 6, 2025

The time, dear Lord, is running short;
From earth my soul set free.
When Thou dost come, I’ll sing with joy,
Hallelujah to Thee!
Lord that we all may rapture ready to be stolen by you. Amen

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Maria L

Fremont, California, United States

Dec 11, 2024

Lord, conform us more to Your image by means of all things taking place around us and all matters, persons, and things related to us 🙏

May the very nature of God be wrought into our nature so that we may gain God to the fullest extent!

We love you Lord Jesus ❤️

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Teresa

New Zealand

Jan 9, 2014

The Lord desires our absolute consecration to Him. I really enjoyed reading the excerpt of our brother's experience which led him to write this hymn (via hymns.net).

"As believers, we may seemingly commit much to the Lord, yet it is often the case that our deepest emotions, our tenderest, most cherished desires and feelings remain hidden from Him. We may pray to the Lord concerning many things, yet guard from Him the most secret chambers of our heart. Yet the Lord desires our full and complete consecration that He might make His home in each believer's heart (Eph. 3:17). He desires to fill and occupy our inward parts, that He might genuinely be our all in all (Col. 3:11). In this way, Christ gradually grows and increases within us until we are fully conformed to His glorious image (Rom. 8:29)."

This matter of consecration isn't one we commit to the Lord once in our lives; it is a yearly, monthly, daily, moment-by-moment matter. Things in our lives change and things that we once thought were not hindrances between us and the Lord can creep in at any moment. May we open up to the Lord concerning all aspects of our lives that He would be our single most desire!

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Yohanes

Mankato, MN, United States

Mar 6, 2013

O gracious Lord, I now beseech,
Guide me through every stage;
Stand by and strengthen me to go
Through this dark, evil age.

Hallelujah we have such a marvalous Shepherd that guides us through every stage! Thank You Lord for Shepherding us out of so many things, and Lord continue to Shepherd us Until we could declare "Whom have I in heaven but thee? And there is none upon earth that I desire besides thee."

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李 菲 麗

NC, United States

Dec 14, 2010

O Lord Jesus, I am utterly exposed and enlightened by singing and praying this hymn repeatedly. As I go stage after stage in my Christian life, I confess that my soul--my mind, emotion and my will are occupied by a lot other than Christ. I pray that He make His home in my heart, replace everything that is not Him so Christ is my all and in all.

I am also touched about our dear brother Watchman Nee's testimony regarding this hymn:

http://www.hymns.net/stories/nee.htm

Praise the Lord, what a pattern to the believers in word, in conduct, in love, in faith, in purity [1 Timothy 4:12]

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