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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Music tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Revive Thy work, O Lord

Prayer For Revival

English797
1
Revive Thy work, O Lord!
Now to Thy saints appear!
Oh, speak with power to every soul,
And let Thy people hear!
 
Revive Thy work, O Lord!
While here to Thee we bow;
Descend, O gracious Lord, descend!
Oh, come, and bless us now!
2
Revive Thy work, O Lord!
And every soul inspire;
Oh, kindle in each heart, we pray,
The Pentecostal fire!
3
Revive Thy work, O Lord!
Exalt Thy precious name!
And may Thy love in every heart
Be kindled to a flame!
4
Revive Thy work, O Lord!
And bless to all Thy Word!
And may its pure and sacred truth
In living faith be heard!
5
Revive Thy work, O Lord!
And make Thy servants bold;
Convict of sin and work once more
As in the days of old.
6
Revive Thy work, O Lord!
Give Pentecostal showers!
Be Thine the glory, Thine alone!
The blessing, Lord, be ours!

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Edna Unor

Ibadan, Oyo, Nigeria

Apr 3, 2026

Revive me and many who have gone lukewarm and make us fervent in prayer and worship to the salvation of soils and the glory of thy holy name. Amen

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Isidore Iribarne

Cordova, Tennessee, United States

Mar 20, 2026

Lord, I have heard of your fame;
I stand in awe of your deeds, Lord.
Repeat them in our day,
in our time make them known;
in wrath remember mercy.

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Akin Oyewopo

Lagos, Nigeria

Jun 18, 2025

O Lord, revive your work in me that I may be who you want me to be.

That I may grasp the very reason You grasped me.

And that the community in which You chose to locate might experience the very thing that You posted me to do in the name of Jesus.

Read more
Ana Lara

Storrs, Connecticut, United States

Mar 29, 2025

“Revive Thy Work O Lord, Thy mighty arm make bare. ”

First published in the British messenger, October 1858, again in the Evangelical Book,

1860, and again in a large number of hymnals in Great Britain and America. First written by Albert Midlane and later adapted by Fanny Crosby. Her version is what is published in hymnal. net as “Revive Thy Work O Lord! Now to Thy saints appear!

Albert Midlane was born in Newport on the Isle of Wight, January 23, 1825. A business man, but, being a Sunday school teacher, he was inspired to write verses for children. He became a frequent and acceptable, hymn-writer, both for the young and for general use. There are at least 300 hymns credited to Mr. Midlane.

Brown and Butterworth 1906/ Hymnary. com

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Pauly Nuella

Owerri, Imo, Nigeria

Mar 9, 2025

Revive thy work oh Lord

May ur blessings shower upon me and my family

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Silas Ge

Makurdi, Benue, Nigeria

Dec 2, 2024

Revive, Oh Lord Revive thy works. May your lamp lighted in our hearts be ever aflame. Amen

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Idorenyin Nssien

Abuja Nigeria, FCT, Nigeria

Sep 15, 2024

In times like this were the secret word as scars we need deep revival that will convince the world sin especially in our churches "oh Lord please revive your word".

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Arnold Chinjoka Mkandawire

Lilongwe, North, Malawi

Sep 11, 2024

Revive thy work O Lord, make known your greatness to all the people's of the world that they must know you are the only God.

Read more
Makwin Makut Jesse

Bauchi, Bauchi State, Nigeria

Mar 11, 2024

Lord, revive us from deep within, that we may experience an overflow of your power, your love, your humility. Let your power be made manifest as in the days of old. And the light of your glory invade this dark world and draw men to behold the wonders of your salvation 🙏🏿

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Christiana Diokpo

Lekki, Lagos, Nigeria

Feb 6, 2024

Revive, dear saviour, hope and help of mankind.

Revive and rekindle our love, faith and fire to glow endlessly, until we behold you, in glory.

Read more