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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Prayer is the soul’s sincere desire

Prayer The Meaning

English761
1
Prayer is the soul’s sincere desire,
Uttered, or unexpressed;
The motion of a hidden fire
That trembles in the breast.
2
Prayer is the burden of a sigh,
The falling of a tear;
The upward glancing of an eye
When none but God is near.
3
Prayer is the simplest form of speech
That infant lips can try;
Prayer the sublimest strains that reach
The Majesty on high.
4
Prayer is the Christian’s vital breath,
The Christian’s native air;
His watchword at the gates of death;
He enters rest with prayer.
5
The saints in prayer appear as one,
In word, and deed, and mind;
While with the Father and the Son
Sweet fellowship they find.
6
O Thou, by whom we come to God,
The Life, the Truth, the Way,
The path of prayer Thyself hast trod—
Lord, teach us how to pray.

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Brian Harkess

Musselburgh, East Lothian, United Kingdom

Jun 10, 2025

No compromise, someone once said,
"If you're not praying, you're straying"
Pray without ceasing. Amen to that.

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Ana Lara

Storrs, Connecticut, United States

Feb 10, 2022

The tune to this hymn was written by James Walch who was a musician and a composer, born near Bolton, Lancashire, England in 1837. He spent his early life in the town and was organist in several churches there, including the Parish Church of Saint Georges.

From 1870 to 1877 he was conductor for the Bolton Philharmonic Society. He also composed at least four published hymn-tunes, the best known is one called “Tidings, ” written in 1875 usually used as a tune to a hymn called “O Zion Haste. ”

James Walch was a musical instrument dealer by trade, and moved to Barrow-in-Furness in 1877. He later moved to Llandudno Junction in North Wales, where he died in August 1901 and was buried locally. His wife later donated money to pay for the organs in two local churches, Saint Paul’s Llandudno and All Saints Deganwy, in his memory.

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Steve Miller

Detroit, MI, United States

May 15, 2013

When the reverend Edward Bickersteth had written his "Treatise on Prayer", he turned to newspaper editor James Montgomery to write a hymn about prayer that he could use in his book. Today, Rev. Bickersteth's volume has been forgotten, but the newspaperman's hymn is still being sung.

This hymn is a theological definition in poetic form. What is prayer? Bickersteth may have said it more completely, but Montgomery defined it simply. (Montgomery later said he received more praise for this hymn than anything else he had written.)

Many years after he retired, Montgomery continued to conduct family prayer meetings in his home. After he closed one such meeting of prayer, he walked quietly to his room. The next day he was found unconscious on the floor and later died. As he had written in this hymn, prayer is the Christian's "watchword at the gates of death; he enters heaven with prayer." - Great Songs of Faith by Brown & Norton

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Steve Miller

Detroit, MI, United States

May 15, 2013

There are 2 additional verses:

After verse 3 or 4:

Prayer is the contrite sinner’s voice,
Returning from his ways,
While angels in their songs rejoice
And cry, “Behold, he prays!”

Before last verse:

No prayer is made by man alone
The Holy Spirit pleads,
And Jesus, on th’eternal throne,
For sinners intercedes.

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Pam

Jan 24, 2013

Brilliant! It's so true. Many thanks.

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