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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I thank Thee, Lord, that Thou hast shown

Experience of Christ As Everything

English521
1
I thank Thee, Lord, that Thou hast shown,
And I begin to see,
What Thou canst be to all Thine own,
What they may be to Thee;
If only they will yield Thee all,
And trustingly obey Thy call.
2
How wonderful! I never knew
That I might trust Thee so;
That Thou wouldst be so much to me.
In all the way I go,
That every need Thou wouldst supply.
And all my longings satisfy.
3
I take Thee as my keeper now
And I commit to Thee
My soul, my way, my works, my cause.
In Thy sole charge to be;
And my deposit, Thou, I know
Wilt guard secure from every foe.
4
I take Thee for my peace, O Lord.
My heart to keep and fill
Thine own great calm, amid earth’s storms
Shall keep me always still;
And as Thy kingdom doth increase,
So shall Thine ever-deep’ning peace.
5
I take Thee as my wisdom too
For wisdom’s sum Thou art;
Thou, who dost choose the foolish things.
Set me henceforth apart,
That I may speak and work for Thee
As Thou shalt work and speak in me.
6
I take Thee, Lord, to be my all.
Since all Thou art is mine;
I nothing have, and nothing am;
That nothing, Lord, is Thine.
Thou shalt be everything to me
In all things my sufficiency.

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Jonathan Bai

Dallas, Texas, United States

Apr 11, 2026

How wonderful! I never knew
That I might trust Thee so;
That Thou wouldst be so much to me.
In all the way I go,

How wonderful! That we could be nothing and let the Lord be everything to us! Trust in him and let him care for everything in all the way I go!

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Avram Godofredo Liban IV

Minneapolis, MN, United States

Mar 21, 2025

Oh Lord Jesus I really am nothing, and you are everything to me. Continue to do such a transformation work. Your grace is always sufficient.

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Ryan Armstrong

Murfreesboro, TN, United States

Sep 17, 2024

I've always been so struck by "what they may be to Thee." On the one hand we're nothing, have nothing, and can do nothing. On the other hand, we're an earthen vessel with a priceless Treasure within! We can be something to Him in and through the precious, treasurable One! Hallelujah!

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Anonymous

Feb 10, 2022

this song should be heard every were it's just so great

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Nancy

London

Sep 17, 2020

I was looking for a praising song to sing I don't know how I found this but it says everything I could ever want to say to the Lord, I read this as bu baptism song, Jesus is all I am nothing without the Lord, he is wonderful and I thank God he sent him for our salvation I take him for my all, he is enough for me.

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Steve

United States

Sep 8, 2020

This songwriter grasped the reality of being alive to God in Christ Jesus. She had the spiritual intelligence to put off the old self and put on Christ. It wasn't just a doctrinal matter, but a practice of actually knowing His life in her and allowing that life to sprout into fullness.

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Sandra Ellis

Mornington, Vic, Australia

Aug 8, 2019

I first heard this great hymn over 25 years ago at bible college.

It's grateful and the Words sink into brain for the day.

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Brian

Baton Rouge, Louisiana, United States

Jul 17, 2019

We sang this song 5 times at the Lord’s table. Each verse touched us so much. We just take the Lord as our all.

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Joe Chun

Arcadia, California, United States

Mar 24, 2018

Thank the Lord! What a relief! JESUS IS and I am not and I am nothing! Jesus is the I AM!!! Praise Jesus!

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Glory Jung

Anaheim, California, United States

Jan 20, 2017

Lord, You are, I am not.

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