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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Fully surrendered—Lord, I would be

Consecration Surrendering All to the Lord

English442
1
Fully surrendered—Lord, I would be,
Fully surrendered, dear Lord, to Thee.
All on the altar laid,
Surrender fully made,
Thou hast my ransom paid;
I yield to Thee.
2
Fully surrendered—life, time, and all,
All Thou hast given me held at Thy call.
Speak but the word to me,
Gladly I’ll follow Thee,
Now and eternally
Obey my Lord.
3
Fully surrendered—silver and gold,
His, who hath given me riches untold.
All, all belong to Thee,
For Thou didst purchase me,
Thine evermore to be,
Jesus, my Lord.
4
Fully surrendered—Lord, I am Thine;
Fully surrendered, Savior divine!
Live Thou Thy life in me;
All fullness dwells in Thee;
Not I, but Christ in me,
Christ all in all.

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Un Hermano

Apr 22, 2026

OFFERING OURSELVES TO THE LORD
TO RECEIVE HIS PROVISION
----------

Since God has prepared such a great provision for us, what should we do? We should offer ourselves to the Lord to receive His provision. Although God has prepared this provision for us, we may not come to Him, or we may come to Him without offering ourselves to Him and submitting ourselves to Him. To offer ourselves to the Lord means that we surrender to Him. We must receive the divine provision by offering ourselves to the Lord, submitting and surrendering to Him. We should pray, “Thank You, Lord. You have prepared everything for me. Now I surrender to You. ” This is to offer ourselves to Him.

In Numbers 7 we first have the anointing on God’s side and then the offering on our side. God has been processed to become the ointment that is to be applied to us. To receive the application of this ointment, we need to be willing to surrender to the Lord, placing our entire being into His hands and saying, “O Lord, do whatever You like to do. ” The Lord likes to paint us with Himself within and without, making Himself one with us.

Life-study of Numbers
Message 14 Being Formed into an Army
(LSM)

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Ash K

United States

Jul 7, 2011

Hey I liked the lyrics...Can anyone help me with link on youtube/vimeo where I can listen to this plz? Thanks.

P.S. Googled but no luck :(

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Amy Forcadilla

Malabon City, NCR, Philippines

Apr 17, 2011

To surrender everything to the Lord will end up our struggling in the vanity of human life. Time, life, silver, and gold are not ours but His. As Abraham willingly offered Isaac and the Father His only Begotten Son, may we also fully surrender our all to Him. Praise the Lord He is worthy to receive our all. Lord Jesus, sanctify our all unto You. Amen.

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Gerald Chan

Baguio, Benguet, Philippines

Apr 3, 2011

I love this song because it reminds me that nothing last forever. We have plans in our life, but the plan of the Lord will always prevail. We should really surrender everything that is not of Him. Our dear Lord is everything. He is the great I Am, the universality, centrality, unique Headship. Lord, I surrender all. I love You, Lord.

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Jon Bird

Burnaby, BC, Canada

Mar 2, 2011

Having new life with our Creator means putting to death whatever belongs to your earthy, evil, nature, which includes greed as well, which is one kind of idolatry says the Bible.

You used to do these things in your former life, but now get rid of them all, AND SURRENDER-GIVE 'EM UP-ADMIT YOU WERE ON THE WRONG SIDE OF THE CONFLICT.

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Anonymous

Kuala Lumpur, Malaysia

Feb 19, 2011

Fully surrendered: what a wonderful song. Everything is given by God, sometimes it is such a folly to think that everything belongs to me, in fact, everything belongs to God. I pray that I'll always be surrendered to You, Lord.

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