Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Bless’d are the pure in heart

Longings For a Renewed Heart

English411
1
Bless’d are the pure in heart,
For they shall see our God;
The secret of the Lord is theirs,
Their heart is Christ’s abode.
2
The Lord, who left the heavens,
Our life and peace to bring,
To dwell in lowliness with men,
Their pattern and their King.
3
He to the lowly soul
Doth still Himself impart,
And for His dwelling and His throne
Chooseth the pure in heart.
4
Lord, we Thy presence seek;
May ours this blessing be;
Give us a pure and lowly heart,
A temple meet for Thee.

Delete Comment

Delete this comment? This cannot be undone.

Francis Y Chow

Church In New York City

Feb 22, 2026

Lord, we Thy presence seek;
May ours this blessing be;
Give us a pure and lowly heart,
A temple meet for Thee

Read more
Vincent Ryder

Glossop, Derbyshire, United Kingdom

Aug 9, 2024

Thank You Lord for bringing this old hymn to mind once again. 'Lord, You have my heart, and I will search for Your's. Let me be to you a sacrifice. ' There's another one come to mind! May we all keep on singing 'psalms, hymns and spiritual songs' to each other, and to You Lord. Praise You Jesus!

Read more
Anonymous

Arlington, TX, United States

May 30, 2020

The Lord Jesus is the only One who is pure in heart. No matter how much we desire and try to be pure in heart, we never can be apart from this One living and spreading in us, occupying our entire inner being. We are vessels made with a spirit to receive and contact Him, a heart to love Him, a soul to be filled with and express Him. As we give ourselves to Him and love Him and come under His loving rule and reign and are headed up in all things by Him, He makes our heart His home. Then He, the One pure in heart, is expressed through us! Lord Jesus, make us a temple meet for You!

Read more
Syed Tariq Rafique

Reading, Berkshire, United Kingdom

Oct 26, 2018

The last verse of this hymn - which we often sang in the morning assembly before School - arose in my mind this morning. No reason for this recollection of a hymn I sang over 65 years ago in a school in Karachi Pakistan except perhaps the fondness of this verse or the tune itself. Actually many such hymns we sang happen to arise in my head on numerous occasions, because of their attractive tunes or words. Strange as I am now a total unbeliever. But the power of song and words to create emotions in the human breast is great, no matter what the purpose of the writer was or is. Many hymns of Christian origin are poetically composed and of soothing content - a tribute to our common humanity.

Read more
Sien Lie Lily

Purwokerto, Central Java, Indonesia

Aug 24, 2016

Wonderful Hymn :) Must be pure in heart to see God, so can be infused by Him to purify us, to produce the pure church to be His bride.

Read more
Daniel

Worcester, MA, United States

Aug 2, 2008

According to stanza 2 we have this pattern. To be pure in heart to to eat this pattern and let this pattern be duplicated in us.

Read more