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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Our God is a God of purpose

Ultimate Manifestation God’s Eternal Purpose

English1324
1
Our God is a God of purpose,
What He plans, He will fulfill!
Genesis to Revelation
Shows His full and glorious will.
What He’s after is a building.
In creation He began
With a simple garden planted—
This, the setting for His plan.
2
Man was made, the first step God took
To achieve His final goal,
As a vessel, a container,
Three parts—body, spirit, soul.
God, of dust, a body formed him,
Breath of life into him breathed—
This part is man’s human spirit
By which God may be received.
3
In the garden God had planted
Every tree He made to grow,
Good for food, to sight most pleasing,
And the tree of life also!
Second, then, in God’s intention
Was that man should freely eat
Of the life-tree in the center
To obtain His life complete.
4
Third, we see a river flowing,
Out of Eden coming forth,
With its flow in four directions—
East and west and south and north
As on Christ our life we’re feeding,
Living water in us flows.
Hallelujah for this river
And the watering it bestows!
5
In the flowing of the river
Gold, pearl, onyx stone we see;
Three materials, raw yet precious,
For God’s building meant to be.
Look, these elements are shining’
How can we, then, shine as they?
Simply by the Lord, the Spirit,
Us transforming every day.
6
God the Father (in this fourth step),
Source of life, is gold divine;
Christ the Son was wounded by us
To produce the pearl so fine.
God the Spirit brings the stones forth—
Transformation of the clay.
By the flowing of the Spirit
Changed we’ll be from day to day.
7
Insufficient are materials
Precious though they be and best:
These must be built up together
That God’s house they may express.
Fifth step: We ourselves hand over
To the building that we be
Built into God’s house, His dwelling.
One in each locality.
8
Finally, in Revelation,
Is the picture of Christ’s Bride—
Consummation of God’s purpose;
He is fully satisfied.
New Jerusalem, a city,
Is the Bridegroom’s counterpart—
So the church built up together
Forms the Bride for Christ’s own heart.
9
How can we, as those who truly
Long to see God reach His goal,
Be united and related?
By denial of our soul!
As we contact Christ in spirit,
Feed on Him as life to us,
Then His life will flow, transform us
To His Bride, all glorious!

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Maria L

Fremont, CA, United States

Aug 4, 2026

Lord Jesus, we open to You; we come to You to seek You earnestly so that we may have a clear vision of Your building. Lord, grant us a spirit of wisdom and revelation in the full knowledge of You and of Your heart’s desire. Lord, mingle Yourself more with us today. Build Yourself into us and build us into You for Your building, the church!

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Paul

Singapore City, Singapore

Dec 9, 2011

This hymn summarises the highest purpose of God from the facts of the Bible. God the Father is gold (God's attribute), God the Son is the pearl and God the Spirit is transforming us into the materials for building up the New Jerusalem. Lord thank You for Your words and mercy.

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Stephen Mutungi

Kampala, Uganda

Mar 10, 2010

Praise the Lord! Our God is a God of purpose! He would have worthless me and all the saints transformed into precious materials for the building up of His Body, the church, His bride glorious! Hallelujah!

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