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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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This is the time for building the temple of the Lord

The Church The Lord’s Recovery

English1254
1
This is the time for building the temple of the Lord
That all the local churches may fully be restored.
’Tis not the time for our house while God’s house lieth waste—
O brothers, for God’s building, rise up, make haste!
 
Be strong, be strong, God’s dwelling place to build!
The Lord of hosts is with us, with His glory ’twill be filled!
Be strong, be strong, and work in one accord,
That all the nations may behold the temple of the Lord.
2
O hear, the Lord is speaking: Consider now your ways,
Ye sow and bring in little, for lacking is My praise.
Go up into the mountain, material to provide,
And build My house that I may be glorified.
3
Ye who are priests, ye remnant of Christians now obey—
The Lord Himself is with us, whatever men may say,
With spirits stirred and burning, now let us come to work;
May none his part with others in building shirk.
4
I’ll fill this house with glory, the Lord of hosts has said,
And the desire of nations will be exhibited.
Its glory will be greater than all that’s gone before,
And we will share this glory forevermore.

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Arun

Kozhencherry, Kerala, India

Jun 27, 2026

This hymn deeply touched and shepherded me. As I sang and considered its words, I realized afresh that God's heart is not merely for my individual blessing or spiritual growth, but for the building up of His house, the church, as His corporate dwelling place. The line, "'Tis not the time for our house while God's house lieth waste," especially exposed my heart and caused me to consider my ways before the Lord. How often I become occupied with my own plans and concerns while giving little attention to God's eternal purpose! I was also encouraged by the repeated exhortation to "be strong," for the Lord does not ask us to labor in our own strength; rather, He assures us, "I am with you." The hymn reminded me that every believer has a portion in God's building and that our service should issue from a spirit stirred and burning by the Lord Himself.

Above all, I was impressed that Christ is the Desire of the nations, and that through the building up of the church, He is exhibited to the whole earth.

May the Lord continue to gain in me a heart that seeks first His house and willingly cooperates with Him for the fulfillment of His eternal economy.

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Thomas Theimer

Jackson, MS, United States

Apr 22, 2023

Be Strong, Be strong and work in one accord ☝️!!!

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Isaac Simiyu

Webuye, Bungoma, Kenya

Jun 6, 2022

So touching and inspirational uni

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Nathan Reilly

Abbotsford, BC, United States

Sep 24, 2021

For all Young Ones to be built from God's speaking, through us, into New Ones, who really, what is the surpassing richness of His revelation, they are the ones is seeking for God's word and hungry and thirsty of His word, not just main doctrines, but in God's word, is plain and simple, the more we build God's speaking into New Ones, the more, New Ones, will be wanting more of God's unique word, into them, this is a crucial Vital Factors, for all of us. And for New Ones, to be saved from the snares of Satan's darts, into grace of God. Much more, we all be saved grace, for timely help, even for New people, seeking and being hungry more of God's word It's Amen the law of life.

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Steve Miller

Detroit, Michigan, United States

Mar 27, 2021

We are covering Ezra, Nehemiah and Haggai and church. We sung this song. It expresses Haggai's message well.

We changed line 2 of the first stanza to:

That the house of God on earth may fully be restored.

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Eucyl

Ozamiz City, Misamis Occidental, Philippines

May 19, 2017

Be strong in the Lord...:)

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