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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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In the church the sound of life upon our ear is falling

The Church As Our Home and Rest

English1236
1
In the church the sound of life upon our ear is falling,
Then we see the joy of Christ expressed on every hand;
Babylon and things of earth in vain to us are calling.
We are home forever in Christ our land.
 
We’re churching in the Spirit
On the church’s local ground;
We’re churching with our brothers,
Our family we have found.
Oh, yes, we’re churching with the churches,
And we’ll make the earth resound
With hallelujahs for Christ our land!
2
Far away our background seems with all its gifts and teaching,
Farther still, the worldly things with all their foul demand;
As the love of Jesus Christ our inmost heart is reaching,
Not a thing can move us from Christ our land.
3
“I will build My church upon this rock,” said the Lord Jesus,
And we see the building of His purpose and His plan;
Setting members in the Body as Himself it pleases,
Building us together in Christ our land.
4
Now the Lord’s recovery is everywhere proceeding,
All the churches join in one to give the Lord command:
“Speed the day when all the earth will echo with pray-reading
And with hallelujahs for Christ our land.”

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Anonymous

London, United Kingdom

Oct 10, 2026

Amen amen
Building us together in Christ our land.
And we’ll make the earth resound
With hallelujahs for Christ our land!
As the love of Jesus Christ our inmost heart is reaching,
Not a thing can move us from Christ our land.

I will build My church upon this rock, ” said the Lord Jesus,

And we see the building of His purpose and His plan;
Setting members in the Body as Himself it pleases,
Building us together in Christ our land.

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Maria L

Fremont, California, United States

Jan 12, 2025

Praise the Lord! What a privilege it is for us today to see God’s move on earth today and to cooperate with His move through prayer, giving, and going! Hallelujah 😀

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Raphael Shu

Matsudo, Japan

Aug 10, 2016

Very impressive, local ground means the oneness expressed in each locality. But the found is one universal church.

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Sam Boban

Calicut, Kerala

Apr 23, 2014

Praise the Lord. Christ is our land.

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Jemuel S. Cinso

Agusan Del Sur, Philippines

Oct 12, 2013

Amen.

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Johanna Assampong

Accra, Ghana

Jul 9, 2009

Oh I just love this song! I feel and see the the usefulness of this blessed oneness we have. The most encouraging aspect is that when we are one, we make the earth resound.

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Grace Hsieh

Canada

Sep 3, 2008

Wow! I love this song!! I was quite familiar with this tune since I was child. But now when I am singing it again in English, I felt very englightened and joyful! I am especially touched by the last two lines of the chorus. When we are in our spirit, or with the brothers, or even singing this hymn, "we'll make the earth resound with hallehujahs for Christ our land!" This is such as blissful song! hehe!

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