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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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There is life for a look at the Crucified One

Gospel Persuasion

English1035
1
There is life for a look at the Crucified One,
There is life at this moment for thee;
Then look, sinner, look unto Him and be saved,
Unto Him who was nailed to the tree.
 
Look! look! look and live!
There is life for a look at the Crucified One,
There is life at this moment for thee.
2
Oh, why was He there as the Bearer of sin,
If on Jesus thy guilt was not laid?
Oh, why from His side flowed the sin-cleansing blood,
If His dying thy debt has not paid?
3
It is not thy tears of repentance or prayers,
But the blood, that redeemeth the soul;
On Him, then, who shed it, thou mayest at once
Thy weight of iniquities roll.
4
Then doubt not thy welcome, since God has declared
There remaineth no more to be done;
That once in the end of the world He appeared,
And completed the work He begun.
5
Then take with rejoicing from Jesus at once
The life everlasting He gives;
And know with assurance, thou never canst die
Since Jesus, thy Righteousness, lives.

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Heidi

Murfreesboro, Tennessee, United States

May 20, 2021

May this song inspire and work in many hearts to bring them to Christ! Such powerful words!

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Ana Lara

Storrs, Connecticut, United States

May 16, 2021

Amelia Matilda Hull, the author of “I have been at the Altar, ” was not a prolific writer, but she wrote at least one hymn, which from the very beginning took prominent place among the Gospel songs of last half of the 19C. Her name might have never been remembered had it not been for this one composition of this writer:

There is a life for a look at the Crucified One,
There is life at this moment for Thee;
Then look, sinner, look unto Him and be saved,
Unto Him who is nailed to the tree.

Miss Hull was born at Marpool Hull, Exmouth in 1825, and was sister to Captain Hull, a notable figure in the early days of the Brethren. She lived a life of devotion, self-sacrifice and wholeheartedness in the cause of Christ, and passed away into the presence of the Lord in 1882.

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Marty

Grandville, MI, United States

Nov 16, 2018

Here is another:

THE PEACE CRY.
(By the late Miss MATILDA HULL, Author of "There is
life for a Look."
IN grace God has sent us
A message of Peace,
From the kingdom of Satan
To give us release;
And its claim for acceptance,
Not daring to doubt,
We disclaim other efforts
To bring it about
No "brass band" or "War Cry"
Will add to its force;
No "Councils of War"
Give success to its course.
But the preaching of Jesus
Develops God's might,
In translating lost sinners
From darkness to light
Then exalt Him, exalt Him,
Make Christ all in all,
And before Him you'll find
How the Dagons will fall;
Proving all other Gospels
A pitiful sham
Of the Peace-speaking one
Through the blood of the Lamb.
By which is accomplished
The thirst of His heart,
In that Council of Peace
Where the Godhead took part,
To win for His glory
A perfected Bride,
Whom He would make worthy
To sit by His side..

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Thomas

Daressalaam, Tanzania

Jul 30, 2017

The best. Thank you.

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Steve Miller

Detroit, MI, United States

Oct 18, 2014

Miss Amelia Matilda Hull (1812-1884) was the last of 11 children. Her father was a retired army captain. - hymntime

Born at Marpool Hall, in Exmouth, England, she wrote many hymns and poems which were published in 6 collections. She is considered to be one of the chief women among the Brethren. - Songs of the Spirit by Martin

-----------------

The song arrangement here is the most common one. There are some additional stanzas:

2 His anguish of soul on the cross hast thou seen?
His cry of distress hast thou heard?
Then why, if the terrors of wrath He endured,
Should pardon to thee be deferred?
---------------

3 We are healed by His stripes. Wouldst thou add to the word?

And He is our righteousness made;
The best robe of heaven He bids thee put on:
Oh! couldst thou be better arrayed?
----------------------------
an additional final stanza:
6 There is life in a look at the crucified One:
There is life at this moment for thee:
Then look, sinner—look unto Him and be saved,
And know thyself spotless as He.

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Sharon

Los Angeles, California, United States

May 1, 2013

Every verse, every line, an invitation to accept Christ. So doubt not the welcome. God is speaking through the words of this song.

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