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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

神的心意是要我们

里面生命的各方面 变化

Chinese546
1
神的心意是要我们
模成祂儿子形像;
因此祂灵变化工作,
必须完成我身上。
 
求主将我魂的各部,
全都变成你形像;
用你那灵将我浸透,
使我全像你模样。
2
神已用祂神圣生命,
在我灵中重生我;
但祂还须在我魂中,
作那变化的工作。
3
从我灵中向外开展,
祂就变化我全魂;
更新里面每一部分,
直到全人都归顺。
4
借祂那灵生命大能,
照祂形状变化我;
一部一部,荣上加荣,
模成祂形,新而活。
5
一直变化,全人圣别,
直到像祂,得成熟;
一直变化,魂全占有,
直到贱体蒙救赎。

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