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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

我是個罪人蒙主恩

得救的證實與快樂 藉恩得救

Chinese251
1
一切我所有,無非是接受;
全是恩所賜,在我信之後;
所以不自誇,也不自尊,
我是一個罪人蒙主恩!
 
我是個罪人蒙主恩!
我是個罪人蒙主恩!
這是我身分,榮耀歸給神,
我是個罪人蒙主恩!
2
從前我愚昧,罪惡轄我心,
使我的腳步完全遠離神;
今被主尋回,能不歡欣?
現今是個罪人蒙主恩!
3
流淚有何用,功行有何效?
若非神憐憫,滅亡怎能逃?
前我因有罪,不敢近神,
現今是個罪人蒙主恩!
4
我愛我救主,心中樂歡騰,
我這蒙恩人不能不說明;
讓我再說明-用盡聲音-
我是一個罪人蒙主恩!

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