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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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你的信實廣大

敬拜父 祂的信實

Chinese13
1
父阿,在你並無轉動的影兒,
你的信實極其廣大無邊。
你是昔在、今在、以後永在者;
你的憐憫像你永遠不變。
 
你的信實廣大!
你的信實無邊!
你的憐憫每晨都是新鮮!
我所需要一切全由你供給,
你的信實極其廣大無邊!
2
冬夏、寒暑、稼穡及時的供應,
日、月、星辰晝夜所有循環,
並大自然,多方全都在見證:
你的信實極其廣大、無邊!
3
你的赦免所帶平安與喜樂,
你的同在所賜安撫、引導,
今日力量、明日光明的盼望,
全都屬我,福分一無缺少。

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Aquila

Albany, CA, United States

Aug 3, 2026

『至于我,因我的纯全,你扶持了我,使我永远站在你的面前。』诗四十一12
『神扶持我们,不是因我们的纯全,乃是因祂自己的怜悯和怜恤。见十八20注1。』诗四十一12註1
『十八20注1

诗十八:20註1 在20~28节,大卫以为他的公义、完全、信实、清洁和纯洁是神拯救他的原因,并且以为神的拯救是对他的回报。这是错误的观念。神拯救我们,不是因我们的公义,乃是因祂的怜悯和怜恤,(哀三22,弗二1~9,多三5,)并因祂自己的定旨。(提后一9。)

』诗四十一12引經

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詹庭緣

苗栗, 公館, Taiwan

Mar 1, 2026

你的信實廣大!
你的信實無邊!
你的憐憫每晨都是新鮮!
我所需要一切全由你供給,
你的信實極其廣大無邊!

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骏

Dec 28, 2025

感谢父!我所需要一切全由你供应!

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Aquila

Anaheim, California, United States

Sep 16, 2025

从岁首到年终,你的信实广大无边,从不改变。每一天从你而来一切都是新鲜,我们日用的所需都由你供给,每日恩典和怜悯的分从无短缺。

主啊,赦免我们的刻变时翻,我们信靠你的引领!我们信靠你!

赞美主!

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Tomoki

Japan

Sep 14, 2025

アーメン、感謝します

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賴昌祐

台北市, Taiwan

Feb 23, 2025

阿門

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Shane

Taipei, Taiwan

Aug 15, 2021

Great

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Paul Lin

Taipei, Taiwan

Jul 18, 2020

『我的心回想這事,我就有指望。』哀三21
『我們不至消滅,是出於耶和華的慈愛,因祂的憐恤不至斷絕;』哀三22
『每早晨這些都是新的;你的信實,極其廣大。』哀三23
『我的魂說,耶和華是我的分;因此,我要仰望祂。』哀三24
『等候耶和華,心裏尋求祂的,耶和華必善待他。』哀三25
『人仰望且靜默等候耶和華的救恩,這原是好的。』哀三26

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Grace

Anaheim, CA, United States

Sep 20, 2017

I really enjoy this hymn every morning. 你的憐憫每晨都是新鮮!
我所需要一切全由你供給,
你的信實極其廣大無邊!

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Celestial Chong

Kota Kinabalu, Sabah, Malaysia

Apr 27, 2016

Can I have Bahasa Malaysia Version? Our Church need it...please?

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