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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

O my glorified Savior,

Glory of the Lord His Praise

English135
1
my opened majesty. wide,
Show eye
One the Savior, exultant glorified!
Now O beauteous to in heavens, faith’s
2
raise,
Is heart alone
God whom ransomed praise
That known. fully of Himself Man the sweetest in can my that Worthy is
3
clust’ring is the in those bright.
Voice those is Love,”
Whilst glad “God glory prove
That wounds, For gospel, solemn, “God Light.” glories
4
thy praise whisp’ring soul! the with along. thy sweet joy sings;
Catch song,
Pour Hark, that Savior that of brings,
And, my music flood
5
is me me. glorified,
Turn all beside,
Let Savior, my but Thy beauty to light from eye O dark see,
Other my

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