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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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He leadeth me! O blessed thought

Experience of Christ Following Him

English585
1
He leadeth me! O blessed thought,
O words with heav’nly comfort fraught;
Whate’er I do, where’er I be,
Still ’tis Christ’s hand that leadeth me.
 
He leadeth me! He leadeth me!
By His own hand He leadeth me;
His faithful follower I would be,
For by His hand He leadeth me.
2
Sometimes ’mid scenes of deepest gloom,
Sometimes where Eden’s bowers bloom,
By waters still, o’er troubled sea,
Still ’tis His hand that leadeth me.
3
Lord, I would clasp Thy hand in mine,
Nor ever murmur or repine;
Content, whatever lot I see,
Since it is Thou that leadest me.
4
And when my task on earth is done,
When, by Thy grace, the vict’ry’s won,
E’en death’s cold wave I will not flee,
Since Thou in triumph leadest me.

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Un Hermano

Aug 10, 2026

When we have the vision, we see what God is doing. When we have the life, the overcoming life, we can praise and have the confidence to overcome. But there is still another aspect; God has to deal with us. If we know the God of Isaac, we will have the confidence to say, “But thanks be to God, who always leads us in triumph in the Christ” (2 Cor. 2:14). “Who shall separate us from the love of Christ? ” (Rom. 8:35). However, we still need to know the God of Jacob. God’s dealings with Jacob tell us that it is still possible for us to fail. We cannot guarantee our trustworthiness. If the Lord does not protect us, we can become weak and fallen at any time. In Isaac we know Christ. In Jacob we know ourselves. Because we know Christ, we have confidence, and because we know ourselves, we lose our own confidence. When these two combine together, we will fully live Christ.

The God of Abraham, Isaac, and Jacob

Chapter 4 (LSM)

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Ogola D. A

Kampala, Uganda

Jul 17, 2026

Help me Lord not to forget your footsteps for there is no better way than to follow your guidance. Lead me.

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Aci

Calabar, Rivers State, Nigeria

Mar 22, 2026

This song just dropped in my spirit as a confirmation that what I thought impossible is possible and it's never through a man's hand but by the hand of God. Yes, by the time he's done with it, I'll become a mighty Nation.

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Linet

Eldoret, Rift Valley, Kenya

Mar 6, 2026

He leads us from heavy darkness and pain, into his marvelous light. I sing this song when I feel weighed down and God is not a man, neither is He a liar, I find real peace in Him. Amen 🙏

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John Chilee

Port Harcourt, Rivers, Nigeria

Feb 13, 2026

Thank you Lord for leading me. May I find fulfilment in your will.

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Medha

Hanoi, Vietnam

Feb 12, 2026

Dear Heavenly Father,

Thank You for leading me by your perfect righteous right Hand. Unto Your perfect will I submit all that I am. In Jesus name, Amen.

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Emmanuel Enuma

Ido Ekiti, Ekiti State, Nigeria

Jan 25, 2026

Jehovah, I pray you continue to lead me. No matter the storm I will face, even in death, direct me.

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Janise Palmer

Spanish Town, St. Catherine, United States

Apr 7, 2025

Guess what?.... He's still leading me, "His faithful follower I would be,

For by His hand He leadeth me."

There's no other way to the Kingdom of God but through Christ. Please continue to lead Jesus. 🙏🏾🙏🏾🙌🙌🙌 HALLELUJAH

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Jim Smith

Mansfield, Ohio, United States Minor Outlying Islands

Jan 11, 2025

I had a a little inspiration from this hymn. See the verses below adapted from this hymn sung to the same tune.

Oh nourish me, yes nourish me.
This is my prayer each and
every day.

Though often I have slighteth thee, still through your word you

feedeth me.

Chorus
He feedeth me, yes feedeth me,
With His own love, He feedeth
me, Oh words with heavenly
comfort filled. It is Christ’s word
that feedeth me,
Oh wondrous thought to me
you give!
That word you speak,
is Life to me.
It makes me follow every day,
My gratitude I ‘ll forever show.

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Henson

Nairobi, Kenya

Jan 28, 2024

The song is so nice and also it's really not hard to play.

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