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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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One sat alone beside the highway begging

Gospel General

English1078
1
One sat alone beside the highway begging,
His eyes were blind, the light he could not see;
He clutched his rags and shivered in the shadows,
Then Jesus came and bade his darkness flee.
 
When Jesus comes the tempter’s pow’r is broken;
When Jesus comes the tears are wiped away.
He takes the gloom and fills the life with glory,
For all is changed when Jesus comes to stay.
2
From home and friends the evil spirits drove him,
Among the tombs he dwelt in misery;
He cut himself as demon pow’rs possessed him,
Then Jesus came and set the captive free.
3
“Unclean! unclean!” the leper cried in torment,
The deaf, the dumb, in helplessness stood near;
The fever raged, disease had gripped its victim,
Then Jesus came and cast out every fear.
4
Their hearts were sad as in the tomb they laid him,
For death had come and taken him away;
Their night was dark and bitter tears were falling,
Then Jesus came and night was turned to day.
5
So men today have found the Savior able,
They could not conquer passion, lust and sin;
Their broken hearts had left them sad and lonely,
Then Jesus came and dwelt, Himself, within.

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Judith, J.

New York, United States

Sep 8, 2013

Growing up, this was one of my mother's favorite hymns. It has become one of mine also. Thanks for the other three verses.

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Pastor Harvey

Apr 20, 2013

This is one of my favorite testamony songs I still like to sing it. I heard Bro Rolloff sing it in the early 80's. Thanks for giving me the words I did not have vs. 4.

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Ashley Crampton

Sigatoka, Nadroga, Fiji

Nov 29, 2012

In 1957 I use to sing this hymn round the piano in our lounge in Bara - Sigatoka, Fiji Islands. As there were no electric lights in those days we used the Tiley kerosene lantern which sat on the piano. Our fox terrier dog - Bits - loved the song and she would howl everything she heard the hymn being played and sung.

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Mark Clark-sterling

London, United Kingdom

Jul 12, 2012

When I was 14/15 my mum would sing this to me. I miss her so much xxx

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Rev. Maryellen Lanoue

Midlothian, Tx

Jun 29, 2012

Having recently retired I have struggled with many things and my options. As I was working in the house the Lord brought this song to my remembrance. I could only remember part of the chorus and looked it up. I sang this as a small girl, loved it then and still do. Sure ministers to me. Thank you for being here. May God continue to bless you and give you favor....

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Almustafa Emanuel Joseph-Alo

Abuja, FCT, Nigeria

Apr 18, 2012

Hmm...this is one of my favorite classic hymns and I just can't get tired of listening to those wonderful words tell of the power of Jesus as He comes and breaks the power of the Devil and take all pains away. I simply love this hymn.

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Stella Wai

Covina, Ca, United States

Feb 24, 2012

Amazing love of God is manifested in our Savior who loves us dearly as his own brothers and sisters. I can't think of Him without crying for what He has done on the cross.

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Kara

Richmond, Virginia, United States

Dec 14, 2011

My mother sings this to me and has done so for a long time. I love the melody and the lyrics ring true even now.

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Winston Thomas

Sunrise, Florida, United States

Nov 29, 2011

The first time I heard this song was in the early 1950's when I was in the third grade one of my friends used to sing it and I never forget it. The title as I knew it from an old hymnal is When Jesus came. I guess in so ways we are all beggars and sometimes are blind.

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Wesley Peterson

Lake Orion, Michigan, United States

Jul 2, 2011

I learned this hymn as a child and never forgot the first stanza. As I laid in bed one night some of the hurtful memories of my youth returned. I then had a dream. I was a beggar, sad, discouraged, and hopeless. Then, in my dream, Jesus came. He walked over to me, embraced me and my heart was filled with joy.

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