Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Come Forward

Scriptures for Singing

New Songs375
 
For we do not have a High Priest who cannot
Be touched with the feeling of our weaknesses,
But One who has been tempted in all respects like us,
Yet without sin, yet without sin.
 
Let us therefore come forward
With boldness to the throne of grace
That we may receive mercy and find grace
For timely help.

Delete Comment

Delete this comment? This cannot be undone.

Dana Goerner

Lexington, TX, United States

Aug 19, 2026

Although there is nothing that we can do, yet there is somewhere that we can go-the throne of grace. (Life-study of Genesis, pp. 372, 377). Let us therefore come forward with boldness to the throne of grace that we may receive mercy and find grace for timely help Hebrews 4:16

Read more
Daniel John Batiller Dalmino

Deland, Florida, United States

Jul 15, 2026

1Corinthians 15:10 - But by the grace of God I am what I am; and His grace unto me did not turn out to be in vain, but, on the contrary, I labored more abundantly than all of them, yet not I but the grace of God which is with me.

Hebrews 4:16 - Let us therefore come forward with boldness to the throne of grace that we may receive mercy and find grace for timely help.

HALLELUJAH FOR THE GRACE OF GOD!

Read more
Lily Y.

Athens, Greece

Dec 8, 2025

For we do not have a High Priest who cannot

Be touched with the feeling of our weaknesses,

Read more
Jonathan

France

May 15, 2024

French version:

Notr-e Souverain sacrificateur

Il peut êtr-e touché par nos faibless-es

Il a été ten-té comme_nous à tous égards_Il é-tait sans péché,

oui sans péché.
Approchons nous hardiment du Trôn-e de la grâce afin
De recevoir Miséricorde_et grâce
Un secours opportun

Read more
Maurice Ward

Irving, Texas, United States

Mar 22, 2024

How wonderful and marvelous it is to know we have such a High Priest. Hebrews 4:14 shows that Jesus is God! Hebrews 4:15-16 shows that Jesus is a compassionate man. Based on His Divinity by which He passed through and higher than the heavens we should hold fast our confession. Based on his sympathy obtained through His being made sin without sinfulness we should come forward with boldness (constantly, without reservation, without fancy words, confidently, and persistently)

Read more
Sister Vali

Tirane, Albania

Mar 4, 2024

For we do not have a High Priest who cannot

Be touched with the feeling of our weaknesses,

Read more
Geoff

Belmont, California, United States

Feb 25, 2024

Let us therefore come forward

With boldness to the throne of grace!

Read more
Oscar

Singapore

Jan 13, 2024

🙏🙏🙏🙏🙏🤩🤩🤩🤩🤩🤩🥰🥰🥰🥰🥰 my favourite hymn

Read more
Marieth Palama

Chicago, IL, United States

Jan 1, 2024

For we do not have a High Priest who cannot

Be touched with the feeling of our weaknesses, ❤️

Let us come forward with boldness to the throne of grace even more this new year.

Read more
Precious

Abuja, Niger, Nigeria

May 21, 2023

I feel like singing all the time play it

Read more