Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Let me love and not be requited

The Way of the Cross The Way of Following the Lord

New Songs19
 
Let me love and not be requited.
Let me serve and not be rewarded.
Let me labor and not be remembered.
Let me suffer and not be regarded.
 
Let me pour wine, while I drink not.
Let me break bread, while I keep not,
Pour my life out that others be blessèd,
Be in suff’ring that they be contented.
 
None to pity me or care for me,
None to praise me or to console me.
I would rather be desolate, wretched,
Lonely, friendless, and wrongly treated.
 
With my blood and tears pay the price to gain the crown,
Suffer loss that I might a pilgrim’s life live out,
For, Lord, this is how You lived Your life
when You walked on this earthly sphere,
Gladly bore all loss that those who drew near
Could be freed from all suffering and fear.
 
I know not how far the future lies ahead.
On this path of no retreating I am led.
So, Lord, let me now learn from Your perfect pattern,
Suff’ring wrong, no resentment in return.
 
May You in this difficult, tedious day,
All my tears shed in secret wipe away;
Learning You are my only solacement,
And let my life for others’ joy be spent.

Delete Comment

Delete this comment? This cannot be undone.

Kom

Kananga City, Leyte, Philippines

Aug 13, 2026

Amen Lord to all things ! Thank you Lord Jesus! Lord I still love You!

Read more
Brian Harkess

Musselburgh, East Lothian, United Kingdom

Mar 13, 2026

Very challenging lyrics. There's a wee childrens chorus that goes. 'I want to know Christ who died for me.... '

I love the LORD because he first loved me. I am still a work in progress but I press on, Jesus is the only hope for a fallen world. Thankyou for sharing this hymn.

Read more
Wee Nian Lee

Granville, NSW, Australia

Jun 19, 2025

God bless you

Read more
Ranie Manuel Reños

Cabuyao, Laguna, Philippines

Jul 6, 2024

<3 <3 <3

Read more
Sister Vali

Tirana, Albania

Mar 5, 2023

With my blood and tears pay the price to gain the crown,

Suffer loss that I might a pilgrim’s life live out,

Read more
Anonymous

Temple City, California, United States

Oct 23, 2022

Pretty cool song.

Read more
Robert

Kwidzyn, Poland

Nov 6, 2021

This hymn is so precious to me. The part of the Watchman Nee biography was contained in it.

What a wonderful gift for the Body of Christ was and is this brother and his ministry.

Read more
Godfirst Timawus

Yola, Adamawa State, Nigeria

Jul 9, 2020

I heard about the song while listening to Bro. Zac. Poonen iam also grip by the song and I saw how selfish and self centered I have become in so many areas in my life am sorry Lord show me mercy. May God help my diligence and determination in Jesus name amen. Brothers and Sisters there is more and more in Christ to be revealed to us.

Read more
Anonymous

Jan 26, 2020

The hymn "let me love and not be requited" from through the hand of brother Nee is very good and most honorable, actually it would be the base of the love of new human life. But since restricted by time, however, the "I know not how far the future lies ahead" has expired.

Read more
Ana Lara

United States

Dec 11, 2019

Giovanni Bernardone, who was better known as Saint Francis of Assisi, was a mystic, medieval monk who spent his lifetime as an evangelist, preaching and helping the poor people of Italy.

Francis was born in Assisi, Italy in 1182. As a soldier he lived a life full of indulgence but at age 25 his life radically changed when God touched his life. From that moment on, Francis was determined to serve Him by imitating the life of Christ here on earth. Although Francis came from a wealthy family, he denied his inheritance and lived with the most meager of possessions devoting himself to going from village to village as Christ’s representative. When he was 28, Francis founded the Franciscan Order of Friars. It later developed into a large movement of young men and some women who adopted his beliefs and ascetic life style.

Francis was known for his great love of nature, seeing the hand of God in all creation. The hymn “All Creatures of Our God and King” is a popular hymn (not found in hymnal. net) is said to have been written one hot summer day in 1225, a year before his death, while Francis was very ill and suffering from the loss of his eyesight. Throughout his life he made much use singing and believed strongly in the importance of church music. He wrote more than 60 hymns for use in the monastery.

Read more