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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The Bible is a romance

The Church As Christ’s Bride

Long Beach Songbook5
1
The Bible is a romance
In the most holy sense:
God and His chosen people
In love it so presents.
This Universal Couple
Throughout it is displayed;
God in Christ is the Bridegroom,
His saints, the Bride, portrayed.
2
Through shadows, types and figures,
God’s deepest thought is known;
As typified by Adam,
The Husband, Christ, is shown.
A rib brought forth from Adam
Reveals the source of life
By which God built a woman:
Eve, as the church, His wife.
3
To be His people’s Husband,
To take them as His wife:
This is what God desires
To live in marriage life.
Their sacrifice and worship
Alone could not content;
But with them to be married
Was God’s foremost intent.
4
This romance is the finest
As seen in Song of Songs;
For her Beloved’s kisses
His seeking lover longs.
Love’s work in her produces
No person of her own,
But she becomes the City,
Her Person, Christ alone.
5
Christ is our coming Bridegroom;
We are the Church, His Bride,
Redeemed, regenerated,
The issue of His side,
In source, in life, in nature
And person fully one,
His counterpart forever,
The New Jerusalem.

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Sharon

Rancho Cordova, California, United States

May 25, 2025

To be His people’s Husband,
To take them as His wife:
This is what God desires
To live in marriage life.
Their sacrifice and worship
Alone could not content;
But with them to be married
Was God’s foremost intent.

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Nelson Liu

Irvine, CA, United States

Aug 21, 2022

His counterpart forever, the New Jerusalem.

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Jesse

Canada

May 7, 2020

I was reading the foreword of Brother Lee's Life Study of Romans today. And what he wrote instantly reminded me of the first line of this hymn. Indeed, the Bible is a romance, it the most holy sense! This is revealed many times in the Old Testament. In Genesis, Adam was a type of Christ and Eve was a type of the Church. And Song of Songs is just all about love! We are the Shulamite that runs after our beloved. It is so sweet to follow and love and run after the Lord!

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C Sund

Los Angeles, CA, United States

Jan 4, 2020

Lord, Thank You for loving us from eternity.

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Andrew

Harvest, Alabama, United States

Apr 14, 2019

Amen! We are the Lord's counterpart!

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Francisco

Alhambra, California, United States

Apr 7, 2019

Praise the Lord. We can enjoy His romance as we are singing this song.

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Joselito Cua

Zamboanga, Zamboanga Del Sur, Philippines

Sep 24, 2017

Truly and in reality the Bible is a romance, God wants to live a marriage life with His chosen and redeemed people, the Church! Amen Lord!

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Alan Baier

Chula Vista, CA, United States

Feb 27, 2017

You may be surprised what reminded me of this wonderful hymn - Life Study of Romans message one! It begins by stating that we need to know the position of the book of Romans in the Bible. In order to to know this, we need to consider the Bible as a whole. The next point is: "The Bible - a Romance of a Universal Couple."

I wholeheartedly encourage you in your reading of the Word, to include the Life-Study as a companion!

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Stehen Bellingham

Irvine, CA, United States

Nov 17, 2016

This is profound hymn. Thank You Lord Jesus for making us Your counterpart, Your bride.

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Jonathan V

Guayama, Puerto Rico

May 25, 2016

What a privilege to enjoy this hymn and see the true meaning of the Bible.

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