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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I come to Thee, dear Lord

Study of the Word Feeding on the Word

English812
1
I come to Thee, dear Lord,
My heart doth thirst for Thee;
Of Thee I’d eat, of Thee I’d drink.
Enjoy Thee thoroughly.
2
Just to behold Thy face,
For this my heart doth cry;
I deeply long to drink of Thee
My thirst to satisfy.
3
Thy glorious, radiant face
My heart delights to see;
Here I’d abide and ne’er depart,
Beholding constantly.
4
In such a fellowship
Thou, Lord, art grace to me;
My heart and spirit gladdened, filled,
I enter rest in Thee.
5
Lord, I would linger here,
Still seeking after Thee,
Continue in the Word and prayer
Till Thou dost flow thru me.

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Paul

London, United Kingdom

Oct 10, 2026

So many great hymns in this hymnal - this one touches my deepest longing.

Thy glorious radiant face

My heart delights to see

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James Bussell

Denton, Texas, United States

Jan 31, 2026

In such a fellowship
Thou, Lord, art grace to me;
My heart and spirit gladdened, filled,
I enter rest in Thee.

Read more
V C

Tampa, FL, United States

Jun 7, 2025

♥️ Lord, I would linger here,
Still seeking after Thee,
Continue in the Word and prayer
Till Thou dost flow thru me! ♥️

Read more
Sandy M. Clearo

Woodruff, SC, United States

May 14, 2025

These are troubled times and through it all I can walk with Jesus.

Just to behold Thy face,
For this my heart doth cry;
I deeply long to drink of Thee
My thirst to satisfy.

Read more
Catherine C

London, United Kingdom

May 9, 2025

Lord, I would linger here,
Still seeking after Thee,
Continue in the Word and prayer
Till Thou dost flow thru me.
Yes Lord - I linger in your presence

Read more
Chris Condon

Fargo, ND, United States

Oct 28, 2024

This hymn touches the longing we have to touch Him morning by morning. It's not always "easy" as our mind and thoughts can be like a wild horse. But He knows. He is patient. We have Him as the One who can be touched by our weaknesses. He smiles as we fight to take every thought into captivity and set our mind on the Spirit in our spirit. We are learning to seek, linger, and continue in the word and prayer until He flows in us. We love you Abba Father.

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Clay Sylvester

Waukegan, Illinois, United States

May 17, 2024

The feeling and sentiment of these words, by Brother Lee, (and the tune by a brother Jackson) are a soothing balm. When I am in a low place, needing restoration and healing with the Lord, I feel I can go on. This is one of my favorite hymns (#812 in "Hymns" by Living Stream Ministry). I haven't sung it for a very long time and just this morning (5/17/24), the words "I come to Thee, dear Lord" occurred to me "out of the blue". I am so thankful for this app, where, if one can recall only a few words, you can retrieve the entire hymn! It doesn't even have to be a first line or chorus.

(PS: why is there no star next to the title to designate it as a "favorite", which can be done with all the other hymns?? )

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Dustin Jacot

Reno, Nevada, United States

Dec 9, 2023

Jesus the Lord is our wonderful bridegroom and we are his bride. Oh how blessed it is just to spend time with the Lord and to linger with him until he flows through us. Lord Jesus we love you come quickly

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Jim Smith

Mansfield, Ohio, United States

Dec 8, 2023

What a great prayer as we come to the Lord each day in our morning watch.

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Isaac Kodi

Accra, Cantonments, Ghana

Jul 19, 2023

My soul is blessed with the song. Besides, the doctrines are fully inspired.

God richly bless

I want you to be a friend so I grow further in Christ. I am currently an Elder in the Church of Pentecost and my passion is to commit myself in evangelism.

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