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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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In the secret of His presence

Experience of Christ Fellowship with Him

English553
1
In the secret of His presence
How my soul delights to hide!
Oh, how precious are the lessons
Which I learn at Jesus’ side!
Earthly cares can never vex me,
Neither trials lay me low;
For when Satan comes to tempt me,
To the secret place I go.
To the secret place I go.
2
When my soul is faint and thirsty,
’Neath the shadow of His wing
There is cool and pleasant shelter,
And a fresh and crystal spring;
And my Savior rests beside me,
As we hold communion sweet;
If I tried, I could not utter
What He says when thus we meet.
3
Only this I know: I tell Him
All my doubts and griefs and fears;
Oh, how patiently He listens!
And my drooping soul He cheers;
Do you think He ne’er reproves me?
What a false friend He would be,
If He never, never told me
Of the sins which He must see.
4
Would you like to know that sweetness
Of the secret of the Lord?
Go and hide beneath His shadow;
This shall then be your reward;
And whene’er you leave the silence
Of that happy meeting-place,
By the Spirit bear the image
Of the Master in your face.

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Jack Petrash

Irving, TX, United States

Feb 25, 2025

A new tune found under NT 553 brings out the depth and profundity encapsulated in this woderful gift of a hymn. Try it!

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Ginger Suhrstedt

Roseburg, OR, United States

Feb 14, 2025

What a beautiful hymn. This really does reflect Him rooting Himself deeper and deeper within us. Lord! I want to be found in the secret of Your presence more and more.

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Lilo Xu

New Zealand

Jun 7, 2023

I would like to know that sweetness of the secret of the Lord. Lord, keep drawing me to that happy meeting place. Lord, draw me to hide in the secret place of the Lord, until it becomes the delight of my soul.

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Pey-Jing Li Mehrinfar

San Marcos, TX, United States

Mar 30, 2022

“Go and hide beneath His shadow;
This shall then be your reward; ”
Jesus!

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Della Soper

Mount Hope, ON, Canada

Jan 15, 2022

This hymn was sung in our various churches in past years and has always held a special place in my heart. Of course, you seldom if ever hear it anymore, but oh what wonderful words and encouragement to lean into our loving Saviour's breast! It came to my mind a few nights ago when laying sleepless in my bed and pondering a great sorrow but when I looked it up in the hymnbook I have at hand it was not there. Thanks to those who post these wonderful hymns and going back further, to those who penned them in the first place!

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Tony Pfeiffer

Ponce, PR, Puerto Rico

Dec 16, 2020

In the secret of His presence, in this silence, by the Spirit bearHis image in your face.

But we all with unveiled face, beholding and reflecting like a mirror the glory of the Lord, are being transformed. Into the same image, from glory to glory, even as from the Lord Spirit. 2 Corinthians 3:18

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Steve Miller

Detroit, Michigan, United States

Mar 28, 2020

his hymn is based on Psalm 91, which a lot of Christians are praying during this corona virus epidemic on the world.

-----------------

Ellen Lakshmi Goreh, daughter of the Rev. Nehemiah Goreh, a Christian convert, a Brahmin of the highest class, was born. at Benares, Sept. 11, 1853. Her mother died in Dec. the same year, and the child was adopted first by a Mr. Smailes. Through the Mutiny in 1857 (India's first and failed war of independence against Britain) Mr. Smailes lost his property, and the child was then taken into the family of the Rev. W. T. Storrs and brought to England, where she was educated, and resided until 1880, when she returned to India to take up mission work with her own countrywomen. Through Miss F. R. Havergal's advice and influence Miss Goreh published From India's Coral Strand: Hymns of Christian Faith [1883]. The best known of these hymns is "In the secret of His Presence"

--John Julian, Dictionary of Hymnology,
--------------------
The original last lines of the hymn say:
You must mind and bear the image
of the Master in your face.
-----------------------------------

She also wrote the hymn, "Lo, the Darkness Gathers Round Us", which is also fitting for these times.

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June Banks

Townsville, Nth Queensland, Australia

Jan 15, 2019

The most precious hymn Ive ever known. Sung it in my young days how excited to find it again on my email. have written the words in my Bible.

Praise God & A big thank you to who ever.

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Donald H. Enns

Winnipeg, Canada

Apr 6, 2017

While attending Prairie Bible Institute, and singing in the Radio Choir, this was one of the songs that left a deep impression on my whole being - and still does.

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Florli Zweifel Nemeth

Surrey, BC, Canada

Jan 24, 2017

Mother used to sing this as a special number in church. I often accompanied her on the piano. It was one of her favourites! It's a favourite of mine too. There is nothing like experiencing the presence of Jesus!

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