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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Abide with me! fast falls the eventide

Longings For Fellowship with Christ

English370
1
Abide with me! fast falls the eventide;
The darkness deepens; Lord, with me abide!
When other helpers fail and comforts flee,
Help of the helpless, oh, abide with me.
2
Swift to its close ebbs out life’s little day;
Earth’s joys grow dim, its glories pass away;
Change and decay in all around I see;
O Thou who changest not, abide with me.
3
Come not in terrors, as the King of kings;
But kind and good, with healing in Thy wings:
Tears for all woes, a heart for every plea;
Come, Friend of sinners, thus abide with me.
4
I need Thy presence every passing hour:
What but Thy grace can foil the tempter’s power?
Who like Thyself my guide and stay can be?
Through cloud and sunshine, oh, abide with me.
5
I fear no foe, with Thee at hand to bless:
Ills have no weight, and tears no bitterness:
Where is death’s sting? where, grave, thy victory?
I triumph still, if Thou abide with me.

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David H

Auckland, New Zealand

Aug 19, 2026

Our LORD governs our lives. He stretches forth His hand to save us. Our praises change the atmosphere.

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Ahumuza Isaac

Masindi, Province Of Bunyoro, Uganda

Jul 31, 2026

Indeed blessed be O Lord our God Jesus Christ. For he's good unto us.

I love this hymn because it's Jesus, it speaks Jesus, it spreads Jesus.

May the Lord Jesus be with us evermore. Amen

Read more
Un Hermano

Mar 2, 2026

THE LOVING ONES ENJOYING THE LORD MAKING AN ABODE WITH THEM

-----------------

The Lord’s word here was quite deep; He spoke not only of manifesting Himself but also of making an abode with His believers. We may have experienced the Lord’s manifestation, but we rarely sense the Lord’s making an abode with us. There was once a British brother named Henry F. Lyte, who died in his thirties. Before his death he wrote a hymn based on his experience. The first stanza says, “Abide with me! fast falls the eventide; / The darkness deepens; Lord, with me abide! ” (Hymns, #370). All those who love the Lord, follow the Lord, and live by the Lord’s words have the same feeling and echo the voice from the heart of this author. We surely love the Lord’s abiding with us. The Lord’s manifestation is temporary, but the Lord’s abiding is constant. Genesis 18 records Abraham’s experience of God’s manifesting Himself to him. Although God’s manifestation was precious, it was only temporary; God did not abide in Abraham. Today we can experience not only the Lord’s manifestation but also His abiding with us. The Lord and the Father will make an abode with us, and this abode will be a place for both the Lord and us to dwell.

We gain three things by loving the Lord and by keeping His commandments—the Father’s and the Lord’s love as a recompense, the Lord’s manifestation, and the Father and the Lord coming to make an abode with us. When we receive the Father’s and the Lord’s love as a recompense, we feel warm and sweet inwardly. When the Lord appears to us, we feel glorious, and inwardly we are clear, bright, and joyful. When the Lord makes an abode with us, we enter into rest and stability and become settled in the Lord. Without the Lord’s making an abode with us, we will not be settled, and our heart will be filled with anxiety, fear, distractions, and concerns. Conversely, if we are settled and restful in our heart, we surely have the Lord making an abode with us.

Revelations in John: Seeing the Essential Significance of Life and Building

Chapter 19 The Blessing of Loving the Lord and Keeping the Lord’s Comman... CWWL, 1959, (LSM)

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Oyekale Abel Alade

Bida, Niger, Nigeria

Jan 30, 2026

All I need is His abiding presence EVERY passing passing moment till I enter eternity with Him.

Hear this my prayer in Jesus name.

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Adjei Nsiah

Accra, Ghana

Jan 25, 2026

This hymn

Sang at the begining of The Olympics Games.

And to Steel the Spirit of (2012-Britain) Olympics Spectators against fundamentalism. And reassure the spectators and the World at large- that the Lord will always be with throughout the games.

And even after.

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Nsiah Adjei

Accra, Ghana

Jan 24, 2026

Delighted, surprised and come to love this hymn the more and more. Especially, hearing this popular hymn sung by Emeli Sandé and the crowd during the Opening Ceremony of the London Olympics (July) 2012.

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Ochim Kingsley Odeh

Jimeta-Yola, Adamawa, Nigeria

Dec 19, 2025

Help of the Helpless! Oh, abode with me. Don't leave me to myself not the terror that lies in the bosom of the wicked!!

You and You alone! Lord, Abide with me now and forever

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Godwin Nwosu

Dec 7, 2025

Oh yes he will continue to. Abide with me 🙏

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Yusuf

Brandon, Manitoba, Canada

Nov 26, 2025

The last stanza is my favourite “In life in death O Lord abide with me. ” But it’s not here. How come?

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Kingsley Yahweh

Abakaliki, Ebonyi, Nigeria

Nov 13, 2025

Thou who changeth not, abide with me, this is my Ernest cry and prayers, because when He definitely abides with me... My future is sure and steadfast..... Halleluyah

Read more