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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Deeper, deeper, in the cross of Jesus

The Church Building by the Growth in Life

English1240
1
Deeper, deeper, in the cross of Jesus;
Deeper let me go;
Death and life, they always go together;
Deepen, Lord, the flow.
Oh, deeper yet we pray,
Do work in us each day;
Go deeper, through and through,
Till in Thee we’re wholly new.
2
Higher, higher, in the life of Jesus;
Lord, we are so low.
By Thy life we all can go much higher—
Higher let us go.
Oh, higher yet we pray—
Transform us every day—
And richer in the flow;
May Thy life be all we know.
3
Growing, growing, in us He is growing,
More and more each day.
Into all our living He is flowing—
This is now His way.
For growth, O Lord, we pray;
Increase in us each day.
It’s not enough to know;
Now Thy life in us must grow.
4
Living, living, Christ is all our living,
He’s so practical:
Small things, big things, anything and all things—
He’s involved in all.
Live Christ in every way;
Oh, live Him out today.
His name you now must call,
And give Him your all for all.
5
Person, Person, Jesus is our Person,
Living now in us.
He’s our tastes, our attitudes and actions;
Oh, how glorious!
Our Person, Lord, Thou art
Make home in all our heart.
As life in every way
Be our Person, Lord, each day.
6
Churches, churches, in the local churches
We all find the flow:
Deeper, higher, Christ as all our living,
For the church we grow.
The churches are today
Just Christ in every way.
For this, from self we cease,
For Thy Body, Thine increase.
7
Building, building, we will see the building
Of the church this way:
Christ experienced will produce the building—
He’s the only way.
Oh, build us, Lord, we pray,
By growth of life each day.
Oh, make us now such men
For the new Jerusalem.
8
Coming, coming, Jesus soon is coming
For His chosen Bride.
In the churches we are all preparing
To be glorified.
Lord Jesus, come again
This cry is deep within
We’ll praise Thee to the end,
Oh, come back! Come back! Amen!

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Khim Bitang

Auckland, Warkworth, New Zealand

Sep 5, 2026

Coming, coming, Jesus soon is coming
For His chosen Bride.
In the churches we are all preparing
To be glorified.
Lord Jesus, come again
This cry is deep within
We’ll praise Thee to the end,
Oh, come back! Come back! Amen!

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Miguel Soltero Jr.

Farmington, MI, United States

Jan 18, 2026

In the local churches (which are just Christ in every way) we all find the flow! Jesus soon is coming for His chosen bride!

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Hming Than Zuala

Wagga Wagga, NSW, Australia

Jan 9, 2025

I really enjoying this song went I read morning revival week 12 day 4. O LORD

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Deborah Aung

Dec 16, 2022

It would be great, if you could add Hymns number.

But I still enjoy.

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Thibaut Hang

Cotonou, Atlantic, Ethiopia

Feb 23, 2021

What a hymn ! Lord deeper and deeper in Your cross we must go and then experience resurrection. Higher and higher in Your life I must grow. Living Christ all the way. Lord do make Your home in all our heart more and more and build us up together. New Jerusalem we must become hallelujah !

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YR

Jan 22, 2021

Gain the one new man Lord (Colossians)

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Amos Kimani

Naivasha, Nakuru, Kenya

Apr 24, 2020

Jesus come back come back amen

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James Shau

Cupertino, California, United States

Oct 7, 2019

I've been appreciating this hymn much. Inspired by the recent 2019 Fall ITERO on "The One New Man Fulfulling God's Eternal Purpose in Creating Man", I added the following stanza as "stanza 7'" betwen the original stanza 7 on building and stanza 8 on the Lord's coming:

(This song, with the original stanzas plus the new may be considered as my summary of the 2019 Fall ITERO training. )

7' New man, new man, God's eternal purpose -- He'd be expressed in man.

Christ the second man / on the cross in Himself / created the new man.

Oh, drink of the Spirit. Let our mind be renewed.

Full grown man we arrive -- One new man Christ's all in all.

It is the full grown new man, who is also the prepared bride, that will bring the Lord back (stanza 8).

All the previous existing stanzas of Hymn 1240 cover crucial aspects of the one new man (shaded in blue in the pdf files): experiences of the cross, growth in life into Him the Head in all things in our practical living, taking Christ as our person, and the building up of the Body in the local churches with a view unto the New Jerusalem. (They, however, did not touch the oneness and, interestingly, no mentioning of spirit, either the human spirit or the divine Spirit. ) As brother spoke in the last message of the training, we should now see all these with the "lens" of the new man. Living Christ, for example, is no longer an aspiration according to the word (Phil. 1:19-21), which some might possibly apply somewhat personally only, but rather a necessary condition to arrive at the full grown corporate new man, fulfilling God's eternal purpose.

"Full grown man we arrive" (Eph. 4:13) may include the burdens, at least in parts, of messages 5, 6, and 8:

- Message 5: Laboring according to God's operation to present every Believer Full-grown in Christ for the function and consummation of the one new man.

- Message 6: The prayer needed for the reality and practicality of the one new man.

The part on the prayer that responds and correponds to Christ's heavenly ministry in intercession, ministering and administration.

The other key burdens of message 6 are the condition of prayer and the life of prayer as the first God-man Jesus lived as recorded in the gospel. This may be included in "the life of Jesus" in stanza 1.

- Message 8: Carrying out the stewardship of God for the one new man.

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Allen

Corning, NY, United States

Sep 6, 2019

My dad of 88 went to be home with Jesus listening to this hymn.

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Paula Gittens

St. Georges, Grenada

Sep 25, 2018

Amen... Lord Jesus for Your joy and pleasure make us such men.. we love You.

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