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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Given us, given us, God has given us

Various Aspects of the Inner Life The Growth in Life

English1211
1
Given us, given us, God has given us
Precious faith, power divine, greatest promises.
We believed, we received, now we have all three;
By these we may grow unto maturity.
2
Precious faith in each saint, precious equally,
Precious faith holding us, holding ceaselessly.
Disagree or agree, still it holds us fast,
Day by day, eternally this faith shall last.
3
Power divine wrought in us is the source so great;
Power divine is in us now to operate.
Hence will spring everything for our life within
And for godliness without, expressing Him.
4
Promises, promises, all God’s called ones share;
Promises, given us, great and precious are.
These we take to partake of God’s nature true,
Having thus escaped the world’s corruption too.
5
Christ within, as the pow’r, in our spirit lives;
Christ without is the Word—all God’s promises.
Now the key is that we daily contact both,
Calling, praying, reading to produce the growth.
6
Faith and pow’r, promises—these our full supply.
Diligence, diligence, let us now apply;
For if we, to these three, full attention show
From the seed of faith the fruit of love will grow.
7
In the growth from the seed many items come;
By this growth in the Lord fruitful we become.
For this we need to see what the Lord’s begun,
Ne’er forgetful be nor blind to what He’s done.
8
Diligence day by day will this growth insure;
Diligence thus will make our election sure.
When indeed with this seed we cooperate,
We’re supplied the kingdom’s entrance, rich and great.
9
For this growth, for this growth, Lord, ourselves we give,
By the faith, promises, and the pow’r to live.
Nothing more, nothing less, will our basis be
By Thy grace we will cooperate with Thee.

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Jeff Hall

Church In Worcester, Massachusetts, United States

May 4, 2025

We are chosen and predestined, a priestly body, let us pursue with all diligence the growth in life and be constrained in our soul life by the God of measure.

Praise The Lord for His Eternal Plan!

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Maria L

Fremont, California, United States

Apr 23, 2025

Lord Jesus, we exercise our spirit of faith to develop the divine life and nature in our spirit. May we all add diligence to develop the virtues of the divine life and nature so that we may grow in life and reach maturity! 🙏

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Chris Condon

Fargo, ND, United States

Apr 21, 2025

Sometimes, I tell the brothers I sang the best song ever written. They know what I mean. When we touch the Spirit in a spiritual song it's special. This song shows us how to do what seems "impossible". Be perfect, even as your heavenly Father is perfect. (Matt. 5:48). Why did the Lord say that? Is that possible? Our heavenly Father is in us as the seed that will grow unto maturity. Then we will be like Him in life, nature, and expression. 1 John 4:17.

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Ron

Anchorage, AK, United States

Dec 18, 2024

Ironically your disagreement with the writer’s word on “agree or disagree” is the disagreement he speaks to!!! Hilarious. Be blessed for the illustration to the Body you’ve provided.

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Steve Miller

United States

Jan 1, 2011

I enjoy this song because it exhorts me according to the word. But, I don't like the one phrase in verse 2, "Disagree or agree". This mars the whole song with a kind of carelessness, which is not in the word. I would change that line to:

Live by this precious faith. It will hold us fast.

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