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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Christ will make His seeking lover

Experience of Christ Satisfying Him

English1161
1
Christ will make His seeking lover
Pillar, couch, and palanquin,
E’en a crown, His boast and glory;
He will do it all! Amen!
 
His beloved—how He loves her,
So attractive, His delight.
He is captivated wholly;
She is comely in His sight.
2
But there still remains a shadow;
Christ is still not satisfied.
He must have a growing garden
To become His loving Bride!
3
Paradise of pomegranates,
Pleasant fruits, and henna flowers,
Spikenard, saffron, myrrh, and aloes:
His enjoyment now—not ours.
4
He has come into His garden,
Gathered myrrh and spices there,
Eaten honeycomb and honey;
Wine and milk He’ll drink fore’er.
5
From the garden comes the city,
All materials thus supplied;
God is satisfied completely,
And the foe is terrified.
6
“Thou art fair, my love, as Tirzah,
Comely as Jerusalem.”
O Lord Jesus, Hallelujah,
Thou wilt do it all! Amen!

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YR

Jan 22, 2021

Christ will make His seeking lover
Pillar, couch, and palanquin,
E’en a crown, His boast and glory;
He will do it all! Amen!

Read more
Maurice Ward

Columbus, Ohio, United States

Dec 17, 2020

It touches me deeply that the Lord considers as a garden. In Genesis we see that God placed man in a garden. A garden has no defensive structures. No walls or barriers. On one hand this shows that God wants us to be completely open to Him so that He may come in freely to work on us. On the other hand this shows that God is our defense. The matter of the city with built structures came in after the fall under man's own construction. Praise the Lord that He has not done away completely with this but He is redeeming us in such a way that we will become His city! The New Jerusalem. We will be transformed to fight and defend against the enemy!

Read more
Steve Miller

Detroit, Michigan, United States

Dec 26, 2019

I would change the last line of stanza 3 to:

His enjoyment now - and ours.

Read more
Amos Kimani

Naivasha, Nakuru, Kenya

Jul 21, 2019

Christ want to make the Church pillar, couch, palanquin, His boast and all positive things. We must be willing to be cultivated by God to achieve this objective.

Read more
Amos Kimani

Naivasha, Nakuru, Kenya

Aug 19, 2018

Just like in Judges 8-10, we are trees meant to produce fruits for the enjoyment of God and men. But Christ is not yet satisfied because we are not yet fully for Him. Therefore, brethren let strive to satisfy Christ by making sure we are not distracted by worldly chores. Remembering we must be pressed to produce wine to cheer up The Lord and Church.

Read more
Sarah Anne

Ochtrup, Munster, Germany

Jun 13, 2018

This was going repeat in my head since yesterday; the tune ; and wanted to come online to find. And as I was singing my favorite: Lord Jesus I love You by Higashi, I saw one of my other favorites: because I love my Saviour so.

I love to sing these hymns, so lovely. I enjoy His presence.

Hallelujah!!! Thank you hymnal.net again and again. God bless and keep you all close to His breast. You give so much pleasure and comfort to everyone.

Read more
Amos Kimani

Naivasha, Nakuru, Kenya

May 27, 2018

Our Lord love is waiting for us, He want to make us His bride. Let us give Him room for His love and make us land.

Read more
Joanna L Smathers

Baton Rouge, LA, United States

Feb 27, 2017

Lord grow in our gardens what we have enjoyed of You for Your enjoyment and those around us. Ps. 110:7, 3. From a garden to a city-army for Your dwelling and defeat of Your enemy and ours.

Read more
Frank Pytel

Chicago, Illinois, United States

Jan 4, 2012

The love of my Beloved is changing me to be what is satisfying to Him! As the two were going away down the road of Emmaus, the love of the veiled Beloved burned in their hearts to change their direction, attitude, even discouragement into joy. May I say "Amen" to every kiss of His mouth until "as He is, so am I in this world" (1 John 4:17b).

Read more